Charles’s work is defined by its realism sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Still Life with Currency
Charles Alfred Meurer American, born Germany, 1865–1955

It Rocks but is Not Sunk
Charles Meryon French, 1821-1868

A Turn in the Road
Alfred Sisley (British, active in France, 1839–1899)

Georgia O'Keeffe—Torso
Alfred Stieglitz American, 1864–1946

The Seine at Port-Marly, Piles of Sand
Alfred Sisley (British, active in France, 1839–1899)

Alfred Sisley
Pierre-Auguste Renoir (French, 1841–1919)

Street in Moret
Alfred Sisley (British, active in France, 1839–1899)

The Loire
Alfred Sisley (British, active in France, 1839–1899)

Watering Place at Marly
Alfred Sisley (British, active in France, 1839–1899)

The Hand of Man
Alfred Stieglitz American, 1864–1946

Georgia O'Keeffe
Alfred Stieglitz American, 1864–1946

Georgia O'Keeffe—Hands and Thimble
Alfred Stieglitz American, 1864–1946

Sun Rays—Paula, Berlin
Alfred Stieglitz American, 1864–1946

Rebecca Salsbury Strand
Alfred Stieglitz American, 1864–1946

Hesitation (Madame Monteaux?)
Alfred Stevens (Belgian, 1823–1906)

The Flatiron
Alfred Stieglitz American, 1864–1946

Still Life: Apples and Green Glass
Charles Demuth American, 1883-1935

Landscape along the Seine with the Institut de France and the Pont des Arts
Alfred Sisley (British, active in France, 1839–1899)

Rebecca Salsbury Strand
Alfred Stieglitz American, 1864–1946

Georgia O'Keeffe
Alfred Stieglitz American, 1864–1946