Okumura’s work is defined by its japanese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Courier Kantan dreaming of Himself as a Daimyo (Hikyaku Kantan: yume no daimyo), no. 8 from a series of 12 prints depicting parodies of plays
Okumura Masanobu Japanese, 1686-1764
Young Man Dressed as Mendicant Monk
Saigyo Hoshi
The Waka Murasaki Chapter from "The Tale of Genji" (Genji Waka Murasaki), from a series of Genji parodies
The Hana-no-en Chapter from "The Tale of Genji" (Genji Hana-no-en), from a series of Genji parodies
The Suetsumuhana Chapter from "The Tale of Genji" (Genji Suetsumuhana), from a series of Genji parodies
Enjoying the Evening Cool near Ryogoku Bridge (Ryogoku bashi yusuzumi uki-e)
Courtesans Drawn in Osaka Style (Osaka kakiwake), from "Courtesans of the Three Capitals - A Set of Three (Sanga no tsu keisei sanpukutsui)"
Standing Courtesan
The Actor Ichikawa Ebizo I as Sukeroku
Child Attendant and Bald Tengu of Mt. Kurama (Kaburo Kurama Tengu), no. 7 from a series of 12 prints depicting parodies of plays
The Courtesan Yugiri of Ibarakiya, Osaka, from a triptych of beauties of the three capitals
Rooster Perched on Mortar
Murasaki Shikibu, from the series Ukiyo-e Genji
Eguchi and Love's Fishing Boat (Koi no tsuribune Eguchi), no. 4 from a series of 12 prints depicting parodies of plays
Golden Pheasant (Kinkeicho)
Shoki the Demon Queller Sharpening His Sword
The Roles Reversed, no. 12 from a series of 12 prints
Heating Sake with Maple Leaves (Kanzake momijigari), no. 9 from a series of 12 prints depicting parodies of plays
Courtesan entertaining Daikoku and Fukurokuju, no. 10 from a series of 12 prints