Hiroyuki’s work is defined by its heisei sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Untitled
Hiroyuki Shindo (Japanese, born 1941) Kyoto, Japan

Evidence A (Sekizo A)
Tajima Hiroyuki Japanese, 1911-1997

Benibe B
Tajima Hiroyuki Japanese, 1911-1997

Evidence B (Sekizo B)
Tajima Hiroyuki Japanese, 1911-1997

Floating Shadow (Hyoei) Yellow
Tajima Hiroyuki Japanese, 1911-1997

Armoured Men (Yoroeru otokotachi)
Tajima Hiroyuki Japanese, 1911-1997

Shrine of the Rock (Iwa no hokora)
Tajima Hiroyuki Japanese, 1911-1984

Brown Paper (Chairo no kami)
Tajima Hiroyuki Japanese, 1911-1997

Self-Portrait
Walter Shirlaw (American, 1838–1909)

Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)

Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)

Priest and Boy
Lawrence Carmichael Earle American, 1845-1921

A Sunday on La Grande Jatte — 1884
Georges Seurat (French, 1859–1891)

Fishing Craft near the Cliffs at Collioure
Adolphe Appian French, 1818-1898

Interior of St. Mark's, Venice
David Dalhoff Neal (American, 1838–1915)

Nighthawks
Edward Hopper (American, 1882–1967)

Lion (One of a Pair, South Pedestal)
Edward Kemeys (American, 1843–1907) American Bronze Founding Company (American, founded 1886) Chicago

American Gothic
Grant Wood (American, 1891–1942)

The Fall of the Giants
Salvator Rosa Italian, 1615-1673

It Rocks but is Not Sunk
Charles Meryon French, 1821-1868