Pieter’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Self-Portrait
Pieter Christoffel Wonder Dutch, 1780-1850
Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde
Pieter Tanjé (Dutch, 1706-1761) after Peter Paul Rubens (Flemish, 1577-1640)
Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)
Pieter Jansz Quast Dutch, 1606-1647
The Temptation of Christ by the Devil
Christoffel Jegher (Flemish, 1596-1652/53) after Peter Paul Rubens (Flemish, 1577-1640)
Still Life
Pieter Claesz (Dutch, 1596/97–1660)
A Family Meal
Evert Pieters (Dutch, 1856–1932)
An Elegant Company
Pieter Codde (Dutch, 1599-1678)
Hercules Slaying Envy
Portrait of a Venetian Nobleman
Christoffel Jegher (Flemish, 1596-1652/53) after Peter Paul Rubens (Flemish, 1577-1640) after Tintoretto (Italian, 1518-1594)
The Coronation of the Virgin
Interior, Dutch Girl Peeling an Apple
Evert Pieters Dutch, 1856-1932
Portrait of a Young Girl
Attributed to Pieter Dubordieu (Dutch, c. 1609–after 1678)
The Drunken Silenus
Dead Birds and Shot Bags
Attributed to Pieter Boel (Flemish, 1622-1674)
The Garden of Love, Right Half
Christoffel Jegher Flemish, 1596-1652/53 after Peter Paul Rubens Flemish, 1577-1640
The Garden of Love, Left Half, with Seated Woman
At the Justice of the Peace
Pieter Verhaert (Belgian, 1852–1908)
Mordechai Overhears the Conspiracy from the Story of Esther
Circle of Pieter Cornelisz (1498/90 - 1560/61) or Lucas van Leyden (1489-1533) Northern Netherlandish
The Three Graces
Pieter Tanjé (Dutch, 1706-1761) after Agostino Carracci (Italian, 1557-1602)
Tobias and the Angel
Pieter Mulier, II (Dutch, 1637–1701)