Anton’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Saint Luke Painting the Virgin
Anton Wierix II (Flemish, 1555-1604) after Quentin Matsys (Flemish, 1466-1530)
Anton Wierix II (Flemish, 1555-1604) after Quentin Matsys (Netherlandish, 1466-1530)
The World Upside Down
Anton Wierix (Flemish, 1555/59–1604) after Marten van Cleve (Flemish, 1527-1581)
Gauntlet from a Tournament Garniture of a Hapsburg Prince
Attributed to Anton Peffenhauser (German 1525—1603) Augsburg
Sudarium Displayed by Two Angels
Jerome Wierix (Flemish, 1553-1619) after Albrecht Dürer (German, 1471-1528)
St Michael Triumphing Over the Dragon
Jerome Wierix (Flemish, 1553-1619) after Martin de Vos (Flemish, 1532-1603)
Mezzetino
Modeler: Bustelli, Franz Anton German, 1723-1763, b. Switzerland
Portrait of Cardinal Zelada
Anton Raphael Mengs (German, 1728–1779)
Saint Florian
Anton Eberhardt (Austrian, active 1760)
Saint Jerome in His Study
Portrait of the Artist's Father, Ismael Mengs
Close Helmet for Foot Tournament at the Barriers
Anton Peffenhauser (German, c. 1525—1603) Augsburg
Madonna Crowned by Two Angels
Jan Wierix (Flemish, 1549-c. 1620) after Albrecht Dürer (German, 1471-1528)
Beaker
In the style of Anton Kothgasser Austrian, 1769-1851 Vienna, Austria
Mourning Madonna
Nymphenburg Porcelain Manufactory (1747–present) Designed by Franz Anton Bustelli (born Switzerland, active Bavaria [now Germany], 1723–1763) Munich
Beaker with St. Stephen's Cathedral, Vienna
Anton Kothgasser Austrian, 1769-1851 Vienna, Austria
Saint George
Virgin and Child
Jerome Wierix Flemish, 1553-1619
Apotheosis of Hercules (recto); Sketches of Horse's Head, Horse's Forequarters, and Altarpiece or Ciborium (verso)
possibly Anton Domenico Gabbiani (Italian, 1652-1726) or Ciro Ferri (Italian, 1634-1689) or possibly after Pietro da Cortona (Italian, 1596-1669)