Lorenzo’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Saint Anne and Saint Joachim Offering the Virgin Mary as a Child to the Eternal Father
Lorenzo Tiepolo (Italian, 1736-1776) after Giambattista Tiepolo (Italian, 1696-1770)
Rinaldo Leaving Armida
Saint Thecla Praying for the End of the Plague in the City of Este
Lorenzo Tiepolo (Italian, 1736-1776) after Giovanni Battista Tiepolo (Italian, 1696-1770)
The Miracle of St. Anthony of Padua
Christ Stripped of His Garments
Lorenzo Garbieri Italian, 1580-1654
Processional Cross with Saint Mary Magdalene and a Blessed Hermit
Lorenzo Monaco (Italian, 1370/75–1425)
Armida Encounters the Sleeping Rinaldo
Giovanni Battista Tiepolo (Italian, 1696–1770)
Rinaldo and the Magus of Ascalon
Armida Abandoned by Rinaldo
Upturned Head of Saint Dominic
Lorenzo Sabbatini, called Lorenzino da Bologna, after Italian, c.1530-1576
Rinaldo and Armida in Her Garden
Virgin and Child with Saints Dominic and Hyacinth
Putti Carrying the Cross (recto); Studies of a Hand (verso)
Gian Lorenzo Bernini Italian, 1598-1680
A Nymph with a Small Satyr and Two Goats, from Capricci
Giovanni Battista Tiepolo Italian, 1696–1770
Death Giving Audience, from Capricci
Adoration of the Magi
Seated Youth Leaning Against an Urn, from Capricci
Satyr Surprising a Satyress
Giovanni Domenico Tiepolo Italian, 1727-1804
Medici Armorial
After a cartoon by Lorenzo Lippi (1606–1665), painted before April 27, 1643 Woven at the Medici workshop under the direction of Pietro van Asselt (c. 1600–1644), before June 15, 1644 Italy, Florence
Study after Bernini's Angel sculpture at Ponte Sant'Angelo (recto); Copy of Africa Group (verso)
Recto after Gian Lorenzo Bernini (Italian, 1598-1680) Verso by Gian Lorenzo Bernini (Italian, 1598-1680) after Andrea Pozzo (Italian, 1642-1709)