Mauro’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Assumption of the Virgin
Attributed to Mauro Gandolfi Italian, 1728-1781
Architectural Fantasy (recto); Architectural Details (verso)
Mauro Antonio Tesi Italian, 1730-1766
Female Head
Attributed to Gaetano Gandolfi (Italian, 1734-1802) or possibly Matteo Bonecchi (Italian, c. 1669-1749) or Raffaello Schiaminossi (Italian, c. 1572-1622)
Untitled
Mauro Reggiani Italian, 1897-1980
Vestal Virgin Tuccia
Gaetano Gandolfi (Italian, 1734-1802) or the circle of Taddeo Zuccaro (Italian, (1529-1566)
The Flagellation
Ubaldo Gandolfi Italian, 1728–1781
Head of a Young Woman in Profile
Gaetano Gandolfi Italian, 1734-1802
The Education of the Virgin
Bust of a Saint [St. Peter]
Ceiling with Bacchus, Ariadne, Diana and Minerva
Attributed to Filippo Pedrini (Italian, 1763-1856) or Ubaldo Gandolfi (Italian, 1728-1781)
Ulysses Before Circe, Mercury Behind
Gaetano Gandolfi Italian, 1734–1802
Taxi Pretzel, from No Gas
Red Grooms (American, b. 1937) in colloboration with Jean Pierre Rémond (French, born 1946) printed by Mauro Giuffrida, Michael Tabard, and Paul Volette published by Abrams Original Editions
Aarrrrrrrrhh, from No Gas
No Gas Cafe, from No Gas
Slushing, from No Gas
Local, from No Gas
Rat, from No Gas
Title Page, from No Gas
Red Grooms (American, b. 1937) in colloboration with Jean Pierre Rémond (French, born 1946) printed by Mauro Giuffrida published by Abrams Original Editions
Self-Portrait
Walter Shirlaw (American, 1838–1909)
Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)