Nicolò’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Baccio Bandinelli
Nicolò della Casa (French, active in Rome, 1543–1548) after Baccio Bandinelli (Italian, 1493–1560)

Laocoön
Nicolò Boldrini (Italian, c. 1500–1566) after Titian (Italian, c. 1488-1576)

Saint Jerome in the Wilderness
Nicolò Boldrini (Italian, c. 1500–1566) after Titian (Italian, c. 1488-1576)

Saint Francis of Assisi; Base with Putti
Attributed to Nicolo Roccatagliata (Italian, 1593–1636)

Spanish Girl (recto); Head of a Woman (verso)
Ramón Casas Spanish, 1866-1932

Saint Francis Receiving the Stigmata
Nicolò Boldrini (Italian, c. 1500–1566) after Titian (Italian, c. 1488-1576)

The Milkmaid
Nicolò Boldrini (Italian, c. 1500–1566) after Titian (Italian, c. 1488-1576)

Study of a Standing Woman
Ramón Casas Spanish, 1866-1932

Jar with Two Plumed or Horned Serpents with Birds and P-shaped Motifs
Casas Grandes, Ramos Polychrome New Mexico, United States, or Chihuahua, Mexico

Seated Woman with a Greyhound Puppy
Ramón Casas Spanish, 1866-1932

Young Woman at a Piano
Ramón Casas Spanish, 1866-1932

Jar with Diamond-Shaped Frames with Abstract Birds and Coiling Motifs (Ramos Polychrome)
Ceramist unknown (Casas Grandes) New Mexico, United States, or Chihuahua, Mexico

Shipyard with Two Sailors
Stefano della Bella Italian, 1610-1664

Stag Hunt in Fan Shape
Stefano della Bella Italian, 1610-1664

The Adoration of the Magi
Pietro della Vecchia (Italian, 1605-1678)

Adoration of the Christ Child
Workshop of Andrea della Robbia (Italian, 1435–1525)

Infantry Garniture of a Target (Shield) and Pointed Morion
North Italian; Milan

Spring, Casa Lucero
William Penhallow Henderson American, 1877-1943

The Medici Vase, plate one from The Six Large Views of Rome and the Campagna
Stefano della Bella Italian, 1610-1664

Equestrian Ballet in the Amphitheater of the Boboli Gardens
Stefano della Bella Italian, 1610-1664