Nicolò’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Baccio Bandinelli
Nicolò della Casa (French, active in Rome, 1543–1548) after Baccio Bandinelli (Italian, 1493–1560)
Laocoön
Nicolò Boldrini (Italian, c. 1500–1566) after Titian (Italian, c. 1488-1576)
Saint Jerome in the Wilderness
Saint Francis of Assisi; Base with Putti
Attributed to Nicolo Roccatagliata (Italian, 1593–1636)
Saint Francis Receiving the Stigmata
Spanish Girl (recto); Head of a Woman (verso)
Ramón Casas Spanish, 1866-1932
The Milkmaid
Study of a Standing Woman
Jar with Two Plumed or Horned Serpents with Birds and P-shaped Motifs
Casas Grandes, Ramos Polychrome New Mexico, United States, or Chihuahua, Mexico
Seated Woman with a Greyhound Puppy
Young Woman at a Piano
Jar with Diamond-Shaped Frames with Abstract Birds and Coiling Motifs (Ramos Polychrome)
Ceramist unknown (Casas Grandes) New Mexico, United States, or Chihuahua, Mexico
Shipyard with Two Sailors
Stefano della Bella Italian, 1610-1664
Stag Hunt in Fan Shape
The Adoration of the Magi
Pietro della Vecchia (Italian, 1605-1678)
Adoration of the Christ Child
Workshop of Andrea della Robbia (Italian, 1435–1525)
Infantry Garniture of a Target (Shield) and Pointed Morion
North Italian; Milan
The Medici Vase, plate one from The Six Large Views of Rome and the Campagna
Equestrian Ballet in the Amphitheater of the Boboli Gardens
Spring, Casa Lucero
William Penhallow Henderson American, 1877-1943