Pierre’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Jean de La Fontaine
Pierre Michel Alix (French, 1762-1817) after Hyacinthe Rigaud (French, 1659-1743)
Portrait of Jacques Nicolas Colbert, Archbishop of Rouen
Pierre Drevet (French, 1663-1738) after Hyacinthe Rigaud (French, 1659-1743)
Two Sisters (On the Terrace)
Pierre-Auguste Renoir (French, 1841–1919)
Pierre de Montarsis
Gérard Edelinck (French, born Flanders, 1640-1707) after Antoine Coypel (French, 1661-1722)
Pierre Dupuis, Painter to the King
Antoine Masson (French, 1636-1700) after Nicolas Mignard (French, 1606-1668)
The Storm
Georges Michel (French, 1763-1843)
Earthly Paradise
Pierre Bonnard French, 1867–1947
Wounded Lioness
Pierre Andrieu (French, 1821-1892)
Tiger Resting
Parallèlement (In Parallel)
Pierre Bonnard (French, 1867-1947) poetry by Paul Verlaine (French, 1844-1896) printed by Imprimerie Nationale (French, 20th century) published by Ambroise Vollard (French, 1867-1939)
The Church of Santa Maria della Salute, Venice
Michele Marieschi (Italian, 1710–1743)
Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
Woman at the Piano
The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)
Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)
Image of Death (Imago Mortis), from the Nuremberg Chronicle
Michael Wolgemut and Workshop German, 1434-1519
Portrait of a Lady
Michele Tosini (Michele di Ridolfo; Italian, 1503–1577)
Lunch at the Restaurant Fournaise (The Rowers' Lunch)
Morion for the Bodyguard of the Elector of Saxony
Probably Hans Michel (German, 1539-1599) Nuremberg
Christ Presented to the People, page 73 from the Treasury (Schatzbehalter)
Chrysanthemums