Aimé’s work is defined by its 19th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Vue Générale Prise a l'Ouest, Le Kaire, plate 1 from the album "Egypte, Nubie, Palestine et Syrie," (1852)
Aimé Rochas French, 19th century
Pyramide de Chéops, Egypte Moyenne, plate 9 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Médinet-Habou, Galerie du Palais de Ramsès-Méiamoun; Thèbes, plate 52 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Maxime Du Camp French, 1822–1894
Ancient Windows
Horacio Renteria Rocha Mexican, 1912–1972
Bacchus Consoling Ariadne
Aimé-Jules Dalou (French, 1838–1902)
Rochas Mermaid Dress (Lisa Fonssagrives-Penn), Paris
Irving Penn American, 1917–2009
Science
Aimé-Jules Dalou (French, 1838-1902)
Bust of a Young Man
UNCONDITIONAL
Aimée Beaubien American, born 1966
The Return to France
Aime François Joseph de Lemud French, 1816-1887
fragments from : Collecting Within
Untitled
Aimée-Cécile-Renaud, from the series Tableaux historiques de la révolution française
Charles François Gabriel Levachez, and Son (French, 18th and 19th century) Jean Duplessi-Bertaux (French, 1747-1819)
Haystacks #2
Roy Lichtenstein (American, 1923-1997) printed and published by Gemini G.E.L. (American, 20th century) in collaboration with Kenneth Tyler, Stuart Henderson, Dan Gualdoni, Robert de la Rocha, and Jeff Wasserman
Burst
Cuttings
Behave
Aimee Beaubien American, born 1966
Derrière le miroir (no. 14–15)
Joan Miró Spanish, 1893-1983