Clément’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Premier et Deuxième Recueil de Chiffres
Marillier, Clément Pierre (French, 1740-1808) after Charles Germaine de Saint-Aubin (French, 1721-1786)

Zapata
José Clemente Orozco (Mexican, 1883–1949)

Pierre de Montarsis
Gérard Edelinck (French, born Flanders, 1640-1707) after Antoine Coypel (French, 1661-1722)

Portrait of Jacques Nicolas Colbert, Archbishop of Rouen
Pierre Drevet (French, 1663-1738) after Hyacinthe Rigaud (French, 1659-1743)

Two Sisters (On the Terrace)
Pierre-Auguste Renoir (French, 1841–1919)

Pierre Dupuis, Painter to the King
Antoine Masson (French, 1636-1700) after Nicolas Mignard (French, 1606-1668)

Earthly Paradise
Pierre Bonnard French, 1867–1947

The Flag
José Clemente Orozco Mexican, 1883-1949

Balance
Francesco Clemente Italian, born 1952

Allegory of Death
Clement-Auguste Andrieux French, 1829-1880

Wounded Lioness
Pierre Andrieu (French, 1821-1892)

Tiger Resting
Pierre Andrieu (French, 1821-1892)

Unemployed, Paris
José Clemente Orozco Mexican, 1883-1949

Parallèlement (In Parallel)
Pierre Bonnard (French, 1867-1947) poetry by Paul Verlaine (French, 1844-1896) printed by Imprimerie Nationale (French, 20th century) published by Ambroise Vollard (French, 1867-1939)

Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)
Pierre-Auguste Renoir (French, 1841–1919)

Zapatistas
José Clemente Orozco Mexican, 1883-1949

Woman at the Piano
Pierre-Auguste Renoir (French, 1841–1919)

Demons Seated at a Table
José Clemente Orozco Mexican, 1883-1949

Ruined House
José Clemente Orozco Mexican, 1883-1949

Lunch at the Restaurant Fournaise (The Rowers' Lunch)
Pierre-Auguste Renoir (French, 1841–1919)