Baccio’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

The Prophet Amos
Attributed to Baccio Baldini Italian, c. 1436-1487

The Inferno According to Dante, from the Campo Santo Frescos in Pisa
Unknown Artist Italian, 15th century

Prophet Haggai
Attributed to Baccio Baldini Italian, c. 1436-1487

Judith with the Head of Holofernes
Attributed to Baccio Baldini Italian, c. 1436-1487

The Prophet Moses
Attributed to Baccio Baldini Italian, c. 1436-1487

The Holy Mountain, folio 3 from The Holy Mountain (Monte Sancto di Dio)
Baccio Baldini (Italian, c. 1436-1487) text by Antonio Bettini, Bishop of Foligno (Italian, 1396-1487)

Inferno According to Dante
Circle of Baccio Baldini (Italian, c. 1436–1487) after Francesco Traini (Italian, active 1321–1345)

Two Studies of the Head of a Youth
Baccio Bandinelli Italian, 1493-1560

Academic Male Nude Representing Hercules with Nessus's Robe (recto and verso)
After Baccio Bandinelli Italian, 1493-1560

First Family Before a Shelter
Baccio Bandinelli Italian, 1493-1560

Two Standing Male Nudes
School of Baccio Bandinelli Italian, 1493-1560

Marsyas Tied to a Tree
Attributed to Francesco Salviati (Italian, 1510-1563) or follower of Baccio Bandinelli (Italian, 1493-1560)

Carnival Figures
Baccio del Bianco Italian, 1604-1656

Allegory of Time and Fame
Attributed to Baccio del Bianco Italian, 1604-1656

The Nativity
Fra Bartolommeo (Baccio della Porta; Italian, 1472-1517)

Saul and David
Baccio Bandinelli Italian, 1493-1560

Monastery on the Slope of a Rocky Hill
Baccio della Porta, called Fra Bartolommeo Italian, 1472-1517

Baccio Bandinelli
Nicolò della Casa (French, active in Rome, 1543–1548) after Baccio Bandinelli (Italian, 1493–1560)

The Massacre of the Innocents
Nicolas Beatrizet (French, 1515-after 1565) after Baccio Bandinelli (Italian, 1493-1560)

Watermill with Figures on an Arched Bridge
Baccio della Porta, called Fra Bartolommeo Italian, 1472-1517