Baccio’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Prophet Amos
Attributed to Baccio Baldini Italian, c. 1436-1487
The Inferno According to Dante, from the Campo Santo Frescos in Pisa
Unknown Artist Italian, 15th century
Prophet Haggai
Judith with the Head of Holofernes
The Prophet Moses
The Holy Mountain, folio 3 from The Holy Mountain (Monte Sancto di Dio)
Baccio Baldini (Italian, c. 1436-1487) text by Antonio Bettini, Bishop of Foligno (Italian, 1396-1487)
Inferno According to Dante
Circle of Baccio Baldini (Italian, c. 1436–1487) after Francesco Traini (Italian, active 1321–1345)
Two Studies of the Head of a Youth
Baccio Bandinelli Italian, 1493-1560
Academic Male Nude Representing Hercules with Nessus's Robe (recto and verso)
After Baccio Bandinelli Italian, 1493-1560
First Family Before a Shelter
Two Standing Male Nudes
School of Baccio Bandinelli Italian, 1493-1560
Marsyas Tied to a Tree
Attributed to Francesco Salviati (Italian, 1510-1563) or follower of Baccio Bandinelli (Italian, 1493-1560)
Carnival Figures
Baccio del Bianco Italian, 1604-1656
Allegory of Time and Fame
Attributed to Baccio del Bianco Italian, 1604-1656
The Nativity
Fra Bartolommeo (Baccio della Porta; Italian, 1472-1517)
Saul and David
Monastery on the Slope of a Rocky Hill
Baccio della Porta, called Fra Bartolommeo Italian, 1472-1517
The Massacre of the Innocents
Nicolas Beatrizet (French, 1515-after 1565) after Baccio Bandinelli (Italian, 1493-1560)
Baccio Bandinelli
Nicolò della Casa (French, active in Rome, 1543–1548) after Baccio Bandinelli (Italian, 1493–1560)
Watermill with Figures on an Arched Bridge