Heinrich’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Italian Landscape
Attributed to Heinrich Reinhold (German, 1788–1825)

Arcadian Shepherd Boy and His Flock of Sheep
Heinrich Reinhold German, 1788–1825

Susanna Surprised by the Elders, from The Story of Susanna
Heinrich Aldegrever German, 1502-c.1560

Pendant Shaped as a Ship
Designed by Reinhold Vasters (German, active 1853-90); probably made by him or possibly by Alfred André (French, 1839-1919)

The Last Words of Jean Jacques Rousseau
Heinrich Guttenberg (German, 1749-1818) after Jean Michel Moreau (French, 1741-1814)

Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr
Heinrich Aldegrever German, 1502-c.1560

Landscape
Heinrich Campendonk German, 1889–1957

The Mill
Reinhold Nägele German, 1884-1972

From Brittany
Heinrich Campendonk German, 1889-1957

Christ in the Storm
Heinrich Jansen (Danish, 1625–1667)

Lust, from Virtues and Vices
Heinrich Aldegrever German, 1502-c.1560

Les Dernieres Paroles de J.J. Roseau (The Last Words of J.J. Rosseau)
Heinrich Guttenberg (German, 1749-1818) after Jean Michel Moreau (French, 1741-1814)

Adam and Eve at Work, from The Story of Adam and Eve
Heinrich Aldegrever German, 1502-c. 1560

Bathsheba at the Bath
Heinrich Aldegrever German, 1502-c.1560

The Married Couple, from Krüppel
Heinrich Hoerle German, 1895-1936

Wrath, from the Vices
Heinrich Aldegrever German, 1502-c.1560

Ornamental Design with a Bat in the Centre
Heinrich Aldegrever German, 1502-c.1560

Eiffel Tower, Paris
Heinrich Hauser German, 1901-1955

Portrait of Two Children
Heinrich Kühn Austrian, born Germany, 1866–1944

Spring
Heinrich Johann Vogeler German, 1872-1942