Heinrich’s work is defined by its nineteenth century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Italian Landscape
Attributed to Heinrich Reinhold (German, 1788–1825)
Arcadian Shepherd Boy and His Flock of Sheep
Heinrich Reinhold German, 1788–1825
Susanna Surprised by the Elders, from The Story of Susanna
Heinrich Aldegrever German, 1502-c.1560
Pendant Shaped as a Ship
Designed by Reinhold Vasters (German, active 1853-90); probably made by him or possibly by Alfred André (French, 1839-1919)
The Last Words of Jean Jacques Rousseau
Heinrich Guttenberg (German, 1749-1818) after Jean Michel Moreau (French, 1741-1814)
Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr
Landscape
Heinrich Campendonk German, 1889–1957
The Mill
Reinhold Nägele German, 1884-1972
From Brittany
Heinrich Campendonk German, 1889-1957
Christ in the Storm
Heinrich Jansen (Danish, 1625–1667)
Lust, from Virtues and Vices
Les Dernieres Paroles de J.J. Roseau (The Last Words of J.J. Rosseau)
Adam and Eve at Work, from The Story of Adam and Eve
Heinrich Aldegrever German, 1502-c. 1560
Bathsheba at the Bath
The Married Couple, from Krüppel
Heinrich Hoerle German, 1895-1936
Wrath, from the Vices
Ornamental Design with a Bat in the Centre
Eiffel Tower, Paris
Heinrich Hauser German, 1901-1955
Portrait of Two Children
Heinrich Kühn Austrian, born Germany, 1866–1944
Spring
Heinrich Johann Vogeler German, 1872-1942