Circle’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Massacre of the Innocents
Circle of Tiziano Vecellio, called Titian Italian, c. 1488-1576
Écorché before Landscape (recto); Sketches of Standing Male Nude, Seated Child, Stooping Woman (verso)
After Jan Stephan van Calcar (Netherlandish,1499-1546/50) or after Tiziano Vecellio, called Titian (Italian, c. 1488-1576)
Allegory of Venus and Cupid
Imitator of Titian (Italian, c. 1488–1576)
Portrait of a Lady
Follower of Titian (Italian, c. 1488-1576)
Portrait of Titian
Agostino Carracci (Italian, 1557-1602) after a self-portrait by Titian (Italian, c. 1488-1576)
The Nativity
Circle of Donatello (Italian, c. 1386–1466)
Virgin and Child with the Young Saint John the Baptist
Circle of Agnolo Bronzino (Italian, 1503–1572)
Tobias and the Angel
After Tiziano Vecellio, called Titian Italian, c. 1488-1576
The Submersion of Pharaoh's Army in the Red Sea
After Titian (Italian, c. 1488-1576) published by Domenico dalle Greche (Italian, active 1543-1558)
Self-Portrait
after Tiziano Vecellio, called Titian Italian, c. 1488-1576
Penitent Magdalene
The Annunciation
After a design by an artist in the circle of Andrea Mantegna (Italian, 1431–1506)
Male Nude Tied to Tree
Circle of Peter Paul Rubens (Flemish, 1577-1640) retouched by Peter Paul Rubens
Angel Playing a Flute
Circle of Giuseppe Cesari, called Il Cavalier d'Arpino Italian, 1568-1640