Imitator’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Bacino di San Marco with the Dogana del Mare and Santa Maria della Salute
Francesco Guardi, style of Italian, 1712-1793

The Grand Canal, Venice
Francesco Guardi (Italian, 1712–1793)

The Garden of Palazzo Contarini dal Zaffo
Francesco Guardi (Italian, 1712–1793)

Ruined Archway
Francesco Guardi (Italian, 1712–1793)

Capriccio: The Lagoon
Francesco Guardi (Italian, 1712–1793)

A Capriccio with a Ruined Gothic Arch
Francesco Guardi Italian, 1712-1793

Harem Scene
Francesco Guardi Italian, 1712-1793

Adoration of the Shepherds (recto); Three Sketches: Buildings by Canal with Boats, Landscape with Buldings on Hillside, Buildings with Portico (verso)
Francesco Guardi Italian, 1712-1793

Capriccio with a Squall on the Lagoon
Francesco Guardi Italian, 1712-1793

Statue of Standing Warrior, from Rear
Follower of Francesco de'Rossi, called Salviati Italian, 1510-1563

Gateway Near a Landing Bridge
Francesco Guardi Italian, 1712-1793

Allegory of Venus and Cupid
Imitator of Titian (Italian, c. 1488–1576)

The Couple
Constantin Guys, style of French, 1802-1892

Alba and Francesco Clemente
Louis Jammes French, born 1958

Don Quixote and the Windmills
Imitator of Honoré Victorin Daumier (French, 1808–1879)

Bust of a Youth (Saint John the Baptist)
Francesco Mochi (Italian, 1580–1654)

Virgin and Child
Circle of (or after) Francesco Vanni Italian, 1563-1610

May
Francesco Bartolozzi (Italian, 1727-1815) after William Hamilton (English, 1751-1801) published by John and Josiah Boydell (English, 18th century)

Interior: A Sultana taking Coffee in the Harem
Giovanni Antonio Guardi (Italian, 1699–1760)

Woman at a Piano
Pierre Auguste Renoir, imitator of French, 1841-1919