Circle’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Venus and Mars with Putti (recto); Bearded Man Moving to Right (verso)
Circle of Francesco Mazzola, called Parmigianino Italian, 1503-1540
Venus and Cupid
Infant Hercules (recto); Standing Putto with Hand to Chin (verso)
Follower of Francesco Mazzola, called Parmigianino Italian, 1503-1540
Marriage of the Virgin
Follower of Parmigianino Italian, 1503-1540
Venus with Cupid and Putto
Attributed to Parmigianino Italian, 1503-1540
Esther before Ahasuerus or Solomon and Sheba with Cross from Wood of Adam's Tomb
Two Putti
Old Woman with Cane in Door, with Black Maid Holding Child, and Other Figures
Augustus and the Tiburtine Sibyl
After Parmigianino Italian, 1503-1540
The Nativity
Circle of Donatello (Italian, c. 1386–1466)
Virgin and Child with the Young Saint John the Baptist
Circle of Agnolo Bronzino (Italian, 1503–1572)
Group of Nine Standing Figures
Francesco Mazzola, called Parmigianino Italian, 1503-1540
Minerva (or Bellona) in a Niche
after Francesco Mazzola, called Parmigianino Italian, 1503-1540
The Annunciation
After a design by an artist in the circle of Andrea Mantegna (Italian, 1431–1506)
Female Heads
Old Shepherd Leaning on a Staff
Holy Family with Mary Magdalene
After Francesco Mazzola, called Parmigianino Italian, 1503-1540
Crucifixion
The Entombment
Parmigianino Italian, 1503-1540
Male Nude Tied to Tree
Circle of Peter Paul Rubens (Flemish, 1577-1640) retouched by Peter Paul Rubens