Circle’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Design for Decorative Frieze with Joseph Interpreting His Dream to His Brothers
Circle of Giovanni Battista Castello, called Il Bergamasco Italian, c. 1509-1569
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi (Italian, 1720-1778) published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9)
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Mocking of Christ
Follower of or after Luca Cambiaso Italian, 1527-1585
Design for Emblematic Frontispiece: "Natura Ars Emula Vincit"
Circle of Giovanni Guerra Italian, 1544-1618
Study for Christ and the Magdalene in the House of Simon
Circle of Giovanni Battista Bertani Italian, 1516-1576
Bust of Giovanni Battista de Luca
Bernardo Fioriti (Bernardino or Focoso; Italian, active 1643–1674)
Armida Encounters the Sleeping Rinaldo
Giovanni Battista Tiepolo (Italian, 1696–1770)
Pietà
Giovanni Battista Castello, called Il Bergamasco Italian, c. 1509-1569
Rinaldo and the Magus of Ascalon
Armida Abandoned by Rinaldo
Rinaldo and Armida in Her Garden
The Giant Wheel, plate 9 from Imaginary Prisons
Giovanni Battista Piranesi Italian, 1720-1778
Gian Lodovico Madruzzo
Giovanni Battista Moroni (Italian, 1520/24–1578)
Virgin and Child with Saints Dominic and Hyacinth
Saint Paul
Circle of Giovanni Battista Trotti called Il Malosso Italian, 1555-1619
Pastoral Scene
Giovanni Battista Piazzetta (Italian, 1682–1754)
Flora
Giovanni Battista Gaulli, called Il Baciccio Italian, 1639-1709
A Nymph with a Small Satyr and Two Goats, from Capricci
Giovanni Battista Tiepolo Italian, 1696–1770
Death Giving Audience, from Capricci