Circle’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Academic Arm, Extended
Circle of Michelangelo Buonarroti Italian, 1475-1564

Crucified Christ or Marsyas
Follower of Michelangelo Buonarroti Italian, late 16th century

Anatomical Study and Sketch of Kneeling Figure
Follower of Michelangelo Buonarroti Italian, 1475-1564

Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies
after Michelangelo Buonarroti (Italian, 1475-1564) and Pietro Buonaccorsi, called Perino del Vaga (Italian, 1501-1547)

Male Figure Study, with Slight Sketch of Seated Figure
Follower of Michelangelo Buonarroti Italian, 1475-1564

Legs and Feet of Male Nude
Possibly after Michelangelo Buonarroti Italian, 1475-1564

Moses
after Michelangelo Buonarroti Italian, 1475-1564

Left Hand of Moses
After Michelangelo Buonarroti Italian, 1475-1564

Drunkenness of Noah
After Michelangelo Buonarroti Italian, 1475-1564

Ascending Male Nude
After Michelangelo Buonarroti Italian, 1475-1564

Seated Male Nude
After Michelangelo Buonarroti Italian, 1475-1564

Two Devils
After Michelangelo Buonarroti Italian, 1475-1564

Ascending Male Nude
After Michelangelo Buonarroti Italian, 1475-1564

Deposition of Christ
after Michelangelo Buonarroti Italian, 1475-1564

Seated Male Nude
After Michelangelo Buonarroti Italian, 1475-1564

Bacchus (recto); Architectural Sketches (verso)
after Michelangelo Buonarroti Italian, 1475-1564

The Risen Christ
After Michelangelo Buonarroti Italian, 1475-1564

Man with Book Surrounded by Putti
follower of Michelangelo Buonarroti Italian, 1475-1564

Half-Length Figure
After Michelangelo Buonarroti Italian, 1475-1564

Two Struggling Figures
Henri Regnault (French, 1843-1871) after Michelangelo Buonarroti (Italian, 1475-1564)