Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Head of Bearded Man
Style of Pietro Antonio Novelli (Italian, 1729-1804) or after Donato Creti (Italian, 1671-1749) or Carlo Maratti (talian, 1625-1713)

Head of Bearded Man
Style of Pietro Antonio Novelli (Italian, 1729-1804) or after Donato Creti, Donato (Italian, 1671-1749) or Carlo Maratti (Italian, 1625-1713)

Allegory in Honor of Grand Duke Gian-Gastone de' Medici
Unknown (possibly French, early 18th-century)

Faith Overcoming Heresy (recto); Tracing after Faith Overcoming Heresy (verso)
Pietro Antonio Novelli Italian, 1729-1804

Caligula Appointing His Horse Incitatus to the Consulship
Style of Pietro da Cortona Italian, 1596-1669

La Petite Toilette (The Little Toilette, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle)
Pietro Antonio Martini (Italian, 1738-1797) after Jean Michel Moreau (French, 1741-1814) published by Laurent-François Prault (French 1712-1780)

Lauda-Conatum: Exposition au Salon du Louvre en 1787 (The Exhibition at the Salon du Louvre in 1787)
Pietro Antoni Martini (Italian, 1738-1797) after Johann Heinrich Ramberg (German, 1763-1840)

Parrying Dagger for Pietro Antonio Martinengo, Count of Brescia (recorded 1644-1671)
Italian, perhaps Brescia Blade: probably Spanish

La Dame du Palais de la Reine (The Queen's Lady-in-Waiting, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle)
Pietro Antonio Martini (Italian, 1738-1797) after Jean Michel Moreau (French, 1741-1814) published by Laurent-François Prault (French 1712-1780)

Declaration de la Grossesse (Declaration of Pregnancy,from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle)
Pietro Antonio Martini (Italian, 1738-1797) after Jean Michel Moreau (French, 1741-1814) published by Laurent-François Prault (French 1712-1780)

The Precautions, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle
Pietro Antonio Martini (Italian, 1738-1797) after Jean Michel Moreau (French, 1741-1814) published by Laurent-François Prault (French 1712-1780)

Saint Mary Magdalene
Count Pietro Antonio Rotari Italian, 1707-1762

Presentation in the Temple
Pietro Antonio di Pietri Italian, 1663-1716

Aeneas, Venus, and Achates
Count Pietro Antonio Rotari (Italian, 1707-1762) after Antonio Balestra (Italian, 1666-1740)

Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens

Madonna and Child Adored by Saint Francis
Style of Pietro Novelli (Italian, 1603-1647) or Paulus Moreelse (Dutch, 1571-1638)

Resting
Antonio Mancini (Italian, 1852–1930)

Virgin of the Immaculate Conception
Antonio Maragliano (Italian, 1664–1741) Workshop of Antonio Maragliano (Italian, 1664–1741)

Hercules and Antaeus
Attributed to Pietro Tacca (Italian, 1577–1640) After Giambologna (Flemish, active Italy, 1529–1608)