Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Saint Jerome
Style of Pier Francesco Mola (Italian, 1612-1666) or Luca Cambiaso (Italian, 1527-1585)

Mercury and Argus
Style of Pier Francesco Mola Italian, 1612-1666

Homer Dictating
Pier Francesco Mola (Italian, 1612–1666)

Joseph Greeting his Brothers
Pier Francesco Mola Italian, 1612-1666

Joseph and his Brethren
Pier Francesco Mola Italian, 1612-1666

Flight into Egypt
Pier Francesco Mola Italian, 1612-1666

God the Father Surrounded by Putti
Attributed to Pier Francesco Mola Italian, 1612-1666

Apollo and the Pythian Monster
Possibly follower of Pier Francesco Mola (Italian, 1612-1666) or Carlo Maratti (Italian, 1625-1713)

Three Male Caricatures
Pier Francesco Mola (Italian, 1612-1666) or Angelo de Rossi (Italian, 1671-1715)

A Boat Tied to a Pier
Edvard Munch Norwegian, 1863-1944

English Harbor, the Pier at Brighton
Robert Bartholow Harshe American, 1879–1938

Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens

Head
Pier Francesco Mola Italian, 1612-1666

Finding of Moses
Possibly after Pier Francesco Mola (Italian, 1612-1666) or possibly Sebastiano Ricci (Italian, 1659-1734) or Unknown Flemish artist (Netherlands, 1600-99)

Bust of a Youth (Saint John the Baptist)
Francesco Mochi (Italian, 1580–1654)

Untitled
Pier Paolo Calzolari Italian, born 1943

The Pier with a Lamp, plate 15 from Imaginary Prisons
Giovanni Battista Piranesi Italian, 1720-1778

A Sibyl
Circle of Pier Francesco Mazzucchelli, called Il Morazzone Italian, 1573-1626

Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)

May
Francesco Bartolozzi (Italian, 1727-1815) after William Hamilton (English, 1751-1801) published by John and Josiah Boydell (English, 18th century)