School’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Lamb Bound to Shephard's Crook (recto); Seated Academic Male Nude, From Back, Turning Right (verso)
School of Giovanni Battista Piazzetta Italian, 1682-1754
Pastoral Scene
Giovanni Battista Piazzetta (Italian, 1682–1754)
The Beggar Boy (The Young Pilgrim)
Giacomo Feeding a Dog
Giovanni Battista Piazzetta Italian, 1682-1754
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi (Italian, 1720-1778) published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9)
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Portrait of Marshal von der Schulenburg
A Young Boy Wearing a Plumed Hat, and a Young Girl
Portrait of a Young Man Holding a Sword
A Portrait of Ferdinand Ludwig, Count von Oeynhausen-Schulenburg
Portrait of a Young Boy
Portrait of a Man
Portrait of Sophie Juliane von der Schulenburg
Portrait of a Young Woman
Portrait of a Gondolier
Saint Paul
After Giovanni Battista Piazzetta Italian, 1682-1754
Bust of Giovanni Battista de Luca
Bernardo Fioriti (Bernardino or Focoso; Italian, active 1643–1674)
Armida Encounters the Sleeping Rinaldo
Giovanni Battista Tiepolo (Italian, 1696–1770)
Sketches for an Altar with Saint Margaret of Cortona, Saint Sebastian and Saint Roch (recto); Two Sketches for an Altar (verso)
Rinaldo and the Magus of Ascalon