Imitator’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Entombment (recto); Virgin and Child with the Infant John the Baptist (verso)
Imitator of Giovanni Francesco Barbieri, called Guercino Italian, 1591-1666

The Entombment
Guercino (Giovanni Francesco Barbieri; Italian, 1591-1666)

Study for "The Martyrdom of Saint Bartholomew"
Giovanni Francesco Barbieri, called Guercino Italian, 1591-1666

Allegory of Venus and Cupid
Imitator of Titian (Italian, c. 1488–1576)

Cincinnatus Called from the Plough
Follower of Guercino Italian, 1591-1666

Female Nude Turning Towards Left, Clasping Knee
Follower of Guercino Italian, 1591-1666

The Couple
Constantin Guys, style of French, 1802-1892

Damon and Pythias
Giovanni Francesco Barbieri, called Il Guercino Cento 1591–1666 Bologna

Madonna Mourning: Studies for the Entombment of Christ
Giovanni Francesco Barbieri, called Guercino Italian, 1591-1666

Don Quixote and the Windmills
Imitator of Honoré Victorin Daumier (French, 1808–1879)

Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Giovanni Francesco Barbieri, called Guercino Italian, 1591-1666

Christ on the Cross: Study for the Crucifixion with Saints
Guercino Italian, 1591-1666

Bearded Man Seated at Table
Attributed to Guercino Italian, 1591-1666

Boy Reading
After Guercino Italian, 1591-1666

Woman at a Piano
Pierre Auguste Renoir, imitator of French, 1841-1919

Bust of Saint or High Priest
Attributed to Guercino Italian 1591-1666

Bacino di San Marco with the Dogana del Mare and Santa Maria della Salute
Francesco Guardi, style of Italian, 1712-1793

Group of Figures, with Owl on a Pole
Attributed to Guercino Italian 1591-1666

Sacrifice of Isaac (recto); Jacob's Dream (verso)
Giovanni Francesco Barbieri, called Guercino Italian, 1591-1666

Saint Roch
Giovanni Francesco Barbieri, called Il Guercino Italian, 1591–1666