Imitator’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Entombment (recto); Virgin and Child with the Infant John the Baptist (verso)
Imitator of Giovanni Francesco Barbieri, called Guercino Italian, 1591-1666
The Entombment
Guercino (Giovanni Francesco Barbieri; Italian, 1591-1666)
Study for "The Martyrdom of Saint Bartholomew"
Giovanni Francesco Barbieri, called Guercino Italian, 1591-1666
Allegory of Venus and Cupid
Imitator of Titian (Italian, c. 1488–1576)
Cincinnatus Called from the Plough
Follower of Guercino Italian, 1591-1666
Female Nude Turning Towards Left, Clasping Knee
The Couple
Constantin Guys, style of French, 1802-1892
Damon and Pythias
Giovanni Francesco Barbieri, called Il Guercino Cento 1591–1666 Bologna
Don Quixote and the Windmills
Imitator of Honoré Victorin Daumier (French, 1808–1879)
Madonna Mourning: Studies for the Entombment of Christ
Study for Jacob Blessing the Sons of Joseph (recto); Sketches: Saint Christopher; Two Figures in Conversation over Money (verso)
Christ on the Cross: Study for the Crucifixion with Saints
Guercino Italian, 1591-1666
Bearded Man Seated at Table
Attributed to Guercino Italian, 1591-1666
Woman at a Piano
Pierre Auguste Renoir, imitator of French, 1841-1919
Boy Reading
After Guercino Italian, 1591-1666
Paldao Ectoplastic Desk (no. 4106)
Gilbert Rohde (American, 1894–1944) Herman Miller Furniture Company (American, founded 1923) Zeeland, Michigan
Bacino di San Marco with the Dogana del Mare and Santa Maria della Salute
Francesco Guardi, style of Italian, 1712-1793
Bust of Saint or High Priest
Attributed to Guercino Italian 1591-1666
Group of Figures, with Owl on a Pole
Sacrifice of Isaac (recto); Jacob's Dream (verso)