Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Madonna and Child
Style of Carlo Maratti (Italian, 1625-1713) or Franciabigio (Italian, 1484-1525)
Head of Child
Carlo Maratti Italian, 1625-1713
Half-Length Praying Figure
Unknown Italian artist style of Carlo Cignani (Italian, 1628-1719)
Madonna and Child Appearing to Male Saint
Possibly after Ciro Ferri (Italian, 1634-1689) Style of Carlo Maratti (Italian, 1625-1713)
Assumption of the Virgin
School of Carlo Maratti Italian, 1612-1666
Joseph Interpreting His Dream to His Brothers
School of Carlo Maratti Italian, 1625-1713
The Mystic Marriage of Saint Catherine
Allegory of Drawing
Unknown artist after Nicolas Dorigny (French, 1658-1746) after Carlo Maratti (Italian, 1625-1713)
Head of a Sleeping Man
Unknown artist, possible circle of Carlo Maratti Italian, 17th century
Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens
The Flagellation of Christ
Attributed to Carlo Maratta Italian, 1625-1713
The Crucifixion
Carlo Crivelli (Italian, about 1430–about 1495)
Horsemen of the Apocalypse
Carlo Carrà Italian, 1881-1966
Half-Length View of Madonna
Follower of Carlo Maratti (Italian, 1625-1713) or Style of Elisabetta Sirani (Italian, 1638-1665)
Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)
Copy after Drawing by Carlo Maratta
Francisco Vieira de Mattos, the elder (Portuguese, 1699-1783) after Carlo Maratti (Italian, 1625-1713)
Cobra Chair
Designed by Carlo Bugatti Italian, 1856-1940 Italy
Battle Scene with Central Figure on Rearing Horse
possibly Unknown German artist or Style of Luca Giordano (Italian, 1632-1705)
Venetian Atmosphere
James McNeill Whistler, style of American, 1834-1903
Mourners in a Graveyard
Carlo Labruzzi Italian, 1748-1818