Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Madonna and Child
Style of Carlo Maratti (Italian, 1625-1713) or Franciabigio (Italian, 1484-1525)

Head of Child
Carlo Maratti Italian, 1625-1713

Half-Length Praying Figure
Unknown Italian artist style of Carlo Cignani (Italian, 1628-1719)

Madonna and Child Appearing to Male Saint
Possibly after Ciro Ferri (Italian, 1634-1689) Style of Carlo Maratti (Italian, 1625-1713)

Assumption of the Virgin
School of Carlo Maratti Italian, 1612-1666

Joseph Interpreting His Dream to His Brothers
School of Carlo Maratti Italian, 1625-1713

The Mystic Marriage of Saint Catherine
Carlo Maratti Italian, 1625-1713

Allegorical Scene in Artist's Studio
After Carlo Maratti Italian, 1625-1713

The Flagellation of Christ
Carlo Maratta Italian, 1625-1713

The Crucifixion
Carlo Crivelli (Italian, about 1430–about 1495)

Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens

Horsemen of the Apocalypse
Carlo Carrà Italian, 1881-1966

Half-Length View of Madonna
Follower of Carlo Maratti (Italian, 1625-1713) or Style of Elisabetta Sirani (Italian, 1638-1665)

Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)

Cobra Chair
Designed by Carlo Bugatti Italian, 1856-1940 Italy

Copy after Drawing by Carlo Maratta
Francisco Vieira de Mattos, the elder (Portuguese, 1699-1783) after Carlo Maratti (Italian, 1625-1713)

Battle Scene with Central Figure on Rearing Horse
possibly Unknown German artist or Style of Luca Giordano (Italian, 1632-1705)

Venetian Atmosphere
James McNeill Whistler, style of American, 1834-1903

Mourners in a Graveyard
Carlo Labruzzi Italian, 1748-1818

Saint Standing in a Niche
Follower of Carolo Maratti Italian, 1625-1713