Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Waterfalls and Woods
Style of Amos Green English, 1735-1807

The Prophet Amos
Attributed to Baccio Baldini Italian, c. 1436-1487

The Prodigal Son with Harlots
Amos Doolittle American, 1754-1832

The Prodigal Son Receiving His Patrimony
Amos Doolittle American, 1754-1832

The Prodigal Son Returned to His Father
Amos Doolittle American, 1754-1832

Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens

The Prodigal Son in Misery
Amos Doolittle American, 1754-1832

Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)

Half-Length Praying Figure
Unknown Italian artist style of Carlo Cignani (Italian, 1628-1719)

Wrigley's
Charles Green Shaw (American, 1892–1974)

Apotheosis of Franklin (Furnishing Fabric)
After mezzotint by Valentine Green (English, 1739-1813) and after portrait by John Turnbull (American, 1756-1843) after terracotta medallion by Jean-Baptiste Nini (Italian, 1717–1786) England, made for the American market

Battle Scene with Central Figure on Rearing Horse
possibly Unknown German artist or Style of Luca Giordano (Italian, 1632-1705)

Venetian Atmosphere
James McNeill Whistler, style of American, 1834-1903

Relief
Charles Green Shaw American, 1892–1974

Colonnade and Gardens of the Medici Palace
Style of Hubert Robert (French, 1733–1808)

Sir Joshua Reynolds
Valentine Green (English, 1739-1813) after Sir Joshua Reynolds (English, 1723-1792)

Saracens and Crusaders
Style of Théodore Chassériau (French, 1819–1856)

Pitcher
Designed by Edward Kemeys (American, 1843–1907) Made by Joseph Green (American, active 1890s) Burley & Co. (founded 1883) Chicago

Blue and Green Music
Georgia O'Keeffe (American, 1887–1986)