Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Two Poplars and Seated Figure Beside Stream
Style of William Alfred Delamotte English, 1775-1863

Resting, Men and Dogs Under a Big Tree, from the first issue of Specimens of Polyautography
William Delamotte (English, 1775–1863) published by Philipp André (German, active London, 1800–1805) and James Heath (English, 1757–1834)

Portrait of Fred Adelbert Haywood
School of William Matthew Prior American, 1806–1873

Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens

Woman in a Blue Dress
School of William Matthew Prior American, 1806–1873

A Turn in the Road
Alfred Sisley (British, active in France, 1839–1899)

Georgia O'Keeffe—Torso
Alfred Stieglitz American, 1864–1946

Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)

The Seine at Port-Marly, Piles of Sand
Alfred Sisley (British, active in France, 1839–1899)

Study for "William Rush Carving His Allegorical Figure of the Schuylkill River"
Thomas Eakins (American, 1844–1916)

Half-Length Praying Figure
Unknown Italian artist style of Carlo Cignani (Italian, 1628-1719)

Bust of William Pitt
After Joseph Nollekens (English, 1737–1823)

Alfred Sisley
Pierre-Auguste Renoir (French, 1841–1919)

Battle Scene with Central Figure on Rearing Horse
possibly Unknown German artist or Style of Luca Giordano (Italian, 1632-1705)

Leitch Castle
Style of William Leighton Leitch Scottish, 1804-1883

Venetian Atmosphere
James McNeill Whistler, style of American, 1834-1903

Street in Moret
Alfred Sisley (British, active in France, 1839–1899)

The Loire
Alfred Sisley (British, active in France, 1839–1899)

Watering Place at Marly
Alfred Sisley (British, active in France, 1839–1899)

The Hand of Man
Alfred Stieglitz American, 1864–1946