Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Two Poplars and Seated Figure Beside Stream
Style of William Alfred Delamotte English, 1775-1863
Resting, Men and Dogs Under a Big Tree, from the first issue of Specimens of Polyautography
William Delamotte (English, 1775–1863) published by Philipp André (German, active London, 1800–1805) and James Heath (English, 1757–1834)
Portrait of Fred Adelbert Haywood
School of William Matthew Prior American, 1806–1873
Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens
Woman in a Blue Dress
A Turn in the Road
Alfred Sisley (British, active in France, 1839–1899)
Georgia O'Keeffe—Torso
Alfred Stieglitz American, 1864–1946
Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)
Half-Length Praying Figure
Unknown Italian artist style of Carlo Cignani (Italian, 1628-1719)
The Seine at Port-Marly, Piles of Sand
Battle Scene with Central Figure on Rearing Horse
possibly Unknown German artist or Style of Luca Giordano (Italian, 1632-1705)
Alfred Sisley
Pierre-Auguste Renoir (French, 1841–1919)
Venetian Atmosphere
James McNeill Whistler, style of American, 1834-1903
Leitch Castle
Style of William Leighton Leitch Scottish, 1804-1883
Study for "William Rush Carving His Allegorical Figure of the Schuylkill River"
Thomas Eakins (American, 1844–1916)
Bust of William Pitt
After Joseph Nollekens (English, 1737–1823)
Street in Moret
The Loire
Watering Place at Marly
The Hand of Man