Qian’s work is defined by its chinese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Piled Up Strange Peaks
Qian Feng 錢灃 Chinese, 1740-1795
Portrait of Du Jun
Attributed to Zhang Feng (Chinese, active c.1628–1662)
Magpies Descending to Withered Trees
Attributed to Zhang He China, active 1636-1674
The Xuehong Pavilion in a Scholar's Garden
Qian Du (1763-1844 ) Chinese
Inscription on the Stone Drums, and the Bilou Stele: Calligraphy in Seal Script
Qian Daxin Chinese, 1728-1804
Mountain View in the Snow
Feng Xumin Chinese, born 1960
The Dragon and Phoenix Peak of Mount Tianmu
Zhang Feng (張風 ) Chinese, fl. 1636-1674
Washing the Elephant
Attributed to Qian Xuan (Chinese, 1235-1305)
Flowers of the Four Seasons: Spring
Qian Chaoding (Chinese, c.1605-c.1671)
Flowers of the Four Seasons: Autumn
Qian Chaoding Chinese, (ca. 1605-ca. 1671)
Flowers of the Four Seasons: Summer
Flowers of the Four Seasons: Winter
Flowering Plum Blossom 梅花竹柄团扇
Dong Feng Chinese, active 19th century
Xi Hu Feng Mu Wu 西湖 枫木坞 2
Shanchun Yan Chinese, born 1957
Self-Portrait
Walter Shirlaw (American, 1838–1909)
Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)
Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)
Priest and Boy
Lawrence Carmichael Earle American, 1845-1921
A Sunday on La Grande Jatte — 1884
Georges Seurat (French, 1859–1891)
Fishing Craft near the Cliffs at Collioure
Adolphe Appian French, 1818-1898