Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Cartouche Decorated with Foliage, Books
Style of Domenico Piola Italian, 1627-1703
Adoration of the Shepherds
possibly after Guido Reni (Italian, 1575-1642) or Style of Domenico Piola (Italian, 1627-1703)
Standing Putto Holding Tablet
Attributed to Lazzaro Tavarone (Italian, 1556-1641) or Style of Domenico Piola (Italian, 1627-1793) or Lodovico Carracci (Italian, 1555-1619)
Massacre of the Innocents
Studio of Domenico Piola Italian, 1627-1703
Assumption of the Virgin
Domenico Piola (Italian, 1627-1703) or Marcello Venusti (Italian, 1512/15-1579)
Domenico Piola Italian, 1627-1703
Saint Anthony Appearing to a Sick Man
Follower of Domenico Robusti, called Tintoretto Italian, 1560-1635
Reclining Nude
Domenico Robusti, called Tintoretto, or his workshop Italian, 1560-1635
Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens
Tabernacle with Man of Sorrows
Circle of Domenico Campagnola Italian, c. 1500-1564
Allegory of Victory
Study for Detail: Saint Veronica
Attributed to Domenico Piola Italian, 1627-1703
Venus and Mars with Cupid and the Three Graces in a Landscape
Domenico Tintoretto (Italian, 1560–1635)
Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)
Half-Length Praying Figure
Unknown Italian artist style of Carlo Cignani (Italian, 1628-1719)
Descent from the Cross
Battle Scene with Central Figure on Rearing Horse
possibly Unknown German artist or Style of Luca Giordano (Italian, 1632-1705)
Venetian Atmosphere
James McNeill Whistler, style of American, 1834-1903
The Assumption of the Virgin
El Greco (Doménikos Theotokópoulos; Greek, active in Spain, 1541–1614)
Domenico da Gambassi
Andrea del Sarto (Italian, 1486–1530)