School’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Saint Joseph and Christ Child, with Saints Mark and Anthony
School of Guido Reni Italian, 1575-1642
Angel Annunciate (recto); Samson and the Lion (verso)
Female Head Study Looking Up to Right (recto); Study of Two Figures Supporting an Object (verso)
Follower of Guido Reni Italian, 1575–1642
Salome with the Head of Saint John the Baptist
Guido Reni (Italian, 1575–1642)
Abduction of Helen
after Guido Reni Italian, 1575-1642
David with the Head of Goliath
After Guido Reni Italian, 1575-1642
Science or The Love of Study
Guido Reni Italian, 1575-1642
Saint Christopher
St. Michael Archangel and the Devil
Le Char de l'Aurore (The Chariot of Dawn) (Furnishing Fabric)
After works by Guido Reni (Italian, 1575–1642) and other artists Manufactured by Petitpierre et Cie. (French, 1760-1791) France, Nantes
Head of Putto
Study for Saint Benedict Receiving Gifts from the Peasants
Saint Jerome
Two Putti with Potted Plant
Saint Francis of Assisi, with two Monks of his Order
Study for King David, with Harp and Psalm Book
aAter Guido Reni Italian, 1575-1642
Articulated Dragon
Myochin School Japanese, active late 19th century
Putto Holding Staff
After Guido Reni (Italian, 1575-1642) or possibly Marcantonio Franceschini (Italian, 1648-1729) or Carlo Cignani (Italian, 1628-1719)
Descent of the Holy Spirit
Adoration of the Shepherds
possibly after Guido Reni (Italian, 1575-1642) or Style of Domenico Piola (Italian, 1627-1703)