School’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Saint Joseph and Christ Child, with Saints Mark and Anthony
School of Guido Reni Italian, 1575-1642

Angel Annunciate (recto); Samson and the Lion (verso)
School of Guido Reni Italian, 1575-1642

Female Head Study Looking Up to Right (recto); Study of Two Figures Supporting an Object (verso)
Follower of Guido Reni Italian, 1575–1642

Salome with the Head of Saint John the Baptist
Guido Reni (Italian, 1575–1642)

Abduction of Helen
after Guido Reni Italian, 1575-1642

David with the Head of Goliath
After Guido Reni Italian, 1575-1642

Vision of Saint Philip Neri
after Guido Reni Italian, 1575-1642

Science or The Love of Study
Guido Reni Italian, 1575-1642

Saint Christopher
Guido Reni Italian, 1575-1642

St. Michael Archangel and the Devil
After Guido Reni Italian, 1575-1642

Le Char de l'Aurore (The Chariot of Dawn) (Furnishing Fabric)
After works by Guido Reni (Italian, 1575–1642) and other artists Manufactured by Petitpierre et Cie. (French, 1760-1791) France, Nantes

Head of Putto
After Guido Reni Italian, 1575-1642

Study for Saint Benedict Receiving Gifts from the Peasants
Guido Reni Italian, 1575-1642

Saint Jerome
Guido Reni Italian, 1575-1642

Two Putti with Potted Plant
After Guido Reni Italian, 1575-1642

Saint Francis of Assisi, with two Monks of his Order
After Guido Reni Italian, 1575-1642

Study for King David, with Harp and Psalm Book
aAter Guido Reni Italian, 1575-1642

Articulated Dragon
Myochin School Japanese, active late 19th century

Putto Holding Staff
After Guido Reni (Italian, 1575-1642) or possibly Marcantonio Franceschini (Italian, 1648-1729) or Carlo Cignani (Italian, 1628-1719)

Descent of the Holy Spirit
After Guido Reni Italian, 1575-1642