School’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Joseph Interpreting His Dream to His Brothers
School of Carlo Maratti Italian, 1625-1713

Assumption of the Virgin
School of Carlo Maratti Italian, 1612-1666

Apotheosis of Saint Elias
School of Carlo Maratti Italian, 1625-1713

Madonna and Sleeping Christ Child with Male Saint
School of Carlo Maratti (Italian, 1625-1713) or possibly Agostino Masucci (Italian, c. 1691-1758)

Saint with the Palm of Martyrdom
School of Carlo Maratti Italian, 1625-1713

The Gods Discovering Venus and Mars
Attributed to Pietro Antonio di Pietri (Italian, 1663-1716) or the school of Carlo Maratti (Italian, 1625-1713)

Saint Healing a Child
School of Carlo Maratti Italian, 1625-1713

Head of Child
Carlo Maratti Italian, 1625-1713

The Mystic Marriage of Saint Catherine
Carlo Maratti Italian, 1625-1713

Half-Length Praying Figure
Unknown Italian artist style of Carlo Cignani (Italian, 1628-1719)

Articulated Dragon
Myochin School Japanese, active late 19th century

Allegorical Scene in Artist's Studio
After Carlo Maratti Italian, 1625-1713

The Flagellation of Christ
Carlo Maratta Italian, 1625-1713

The Crucifixion
Carlo Crivelli (Italian, about 1430–about 1495)

Horsemen of the Apocalypse
Carlo Carrà Italian, 1881-1966

The Battle of St. James The Greater at Clavijo
school of Martin Schongauer German, c. 1430/50-1491

Half-Length View of Madonna
Follower of Carlo Maratti (Italian, 1625-1713) or Style of Elisabetta Sirani (Italian, 1638-1665)

Shôki the Demon Queller, from an album of paintings of Shôki, Edo period (1615–1868)
Artist unknown Japanese

Saint Gregory as Author
Scriptorium of Weingarten Abbey South German (Swabia); founded 1056

Cobra Chair
Designed by Carlo Bugatti Italian, 1856-1940 Italy