Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Ruins in a Park, Two Figures
Style of Francesco Guardi (Italian, 1712-1793) or a follower of Claude Gillot (French, 1673-1722)

The Grand Canal, Venice
Francesco Guardi (Italian, 1712–1793)

The Garden of Palazzo Contarini dal Zaffo
Francesco Guardi (Italian, 1712–1793)

Ruined Archway
Francesco Guardi (Italian, 1712–1793)

Bacino di San Marco with the Dogana del Mare and Santa Maria della Salute
Francesco Guardi, style of Italian, 1712-1793

Capriccio: The Lagoon
Francesco Guardi (Italian, 1712–1793)

A Capriccio with a Ruined Gothic Arch
Francesco Guardi Italian, 1712-1793

Harem Scene
Francesco Guardi Italian, 1712-1793

Adoration of the Shepherds (recto); Three Sketches: Buildings by Canal with Boats, Landscape with Buldings on Hillside, Buildings with Portico (verso)
Francesco Guardi Italian, 1712-1793

Capriccio with a Squall on the Lagoon
Francesco Guardi Italian, 1712-1793

Statue of Standing Warrior, from Rear
Follower of Francesco de'Rossi, called Salviati Italian, 1510-1563

Gateway Near a Landing Bridge
Francesco Guardi Italian, 1712-1793

Alba and Francesco Clemente
Louis Jammes French, born 1958

Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens

Figures Before Altar in Church (recto); Half-Length Male Nude, Looking Upward to Right (verso)
Style of Francesco Furini (Italian, 1604-1646) or possibly Cecco Bravo (Italian, 1607-1661)

Bust of a Youth (Saint John the Baptist)
Francesco Mochi (Italian, 1580–1654)

Virgin and Child
Circle of (or after) Francesco Vanni Italian, 1563-1610

Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)

May
Francesco Bartolozzi (Italian, 1727-1815) after William Hamilton (English, 1751-1801) published by John and Josiah Boydell (English, 18th century)

Interior: A Sultana taking Coffee in the Harem
Giovanni Antonio Guardi (Italian, 1699–1760)