Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Ruins in a Park, Two Figures
Style of Francesco Guardi (Italian, 1712-1793) or a follower of Claude Gillot (French, 1673-1722)
The Grand Canal, Venice
Francesco Guardi (Italian, 1712–1793)
The Garden of Palazzo Contarini dal Zaffo
Ruined Archway
Bacino di San Marco with the Dogana del Mare and Santa Maria della Salute
Francesco Guardi, style of Italian, 1712-1793
Capriccio: The Lagoon
A Capriccio with a Ruined Gothic Arch
Francesco Guardi Italian, 1712-1793
Harem Scene
Adoration of the Shepherds (recto); Three Sketches: Buildings by Canal with Boats, Landscape with Buldings on Hillside, Buildings with Portico (verso)
Capriccio with a Squall on the Lagoon
Statue of Standing Warrior, from Rear
Follower of Francesco de'Rossi, called Salviati Italian, 1510-1563
Gateway Near a Landing Bridge
Alba and Francesco Clemente
Louis Jammes French, born 1958
Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens
Figures Before Altar in Church (recto); Half-Length Male Nude, Looking Upward to Right (verso)
Style of Francesco Furini (Italian, 1604-1646) or possibly Cecco Bravo (Italian, 1607-1661)
Bust of a Youth (Saint John the Baptist)
Francesco Mochi (Italian, 1580–1654)
Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)
Virgin and Child
Circle of (or after) Francesco Vanni Italian, 1563-1610
Half-Length Praying Figure
Unknown Italian artist style of Carlo Cignani (Italian, 1628-1719)
May
Francesco Bartolozzi (Italian, 1727-1815) after William Hamilton (English, 1751-1801) published by John and Josiah Boydell (English, 18th century)