Follower’s work is defined by its 18th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Little Girl Pouting
Follower of Jean Baptiste Greuze (French, 1725–1805)

Girl's Head in Three-Quarter View
Follower of Jean-Baptiste Greuze French, 1725-1805

The Notary: A Study for "The Marriage Contract"
Jean-Baptiste Greuze French, 1725-1805

Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)

Portrait of the Artist's Mother
Jean-Baptiste Greuze French, 1725-1805

The Paternal Blessing, or The Departure of Basile
Jean-Baptiste Greuze French, 1725-1805

Souvenir of Tuscany
Jean-Baptiste-Camille Corot French, 1796-1875

Women and Children Mourning a Dead Man
Jean-Baptiste Greuze French, 1725-1805

Ange Laurent de Lalive de Jully
After Jean Baptiste Greuze (French, 1725–1805)

Study of a Groom
Jean-Baptiste Greuze French, 1725-1805

The Elephant, from The Berain Grotesques Series
After a design by Jean Baptiste Monnoyer (1636–1699) in the style of Jean I Berain (1640–1711); border design by Jean I Berain Woven at the Manufacture Royale de Beauvais under the direction of the Behagle family (directors, 1684–1711), the Filleul brothers (codirectors, 1711–22), or Noël-Antoine Mérou (director, 1722–33) France, Beauvais

Seated Gentleman
Jean-Baptiste Greuze French, 1725-1805

Prancing Horse
Follower of Jean Louis André Théodore Géricault (French, 1791–1824)

Portrait of Luigi Edouardo Rossi, Count Pellegrino
Follower of Jean Auguste Dominique Ingres (French, 1780–1867)

Interrupted Reading
Jean-Baptiste-Camille Corot (French, 1796–1875)

A Mounted Officer
Jean Baptiste Edouard Detaille (French, 1848–1912)

Still Life with Monkey, Fruits, and Flowers
Jean Baptiste Oudry (French, 1686–1755)

Distress: Head of a Woman Looking Upwards
Possibly or school of Jean-Baptiste Greuze French, 1725-1805

Portrait of an Artist
Follower of Frans Hals (Dutch, 1582–1666)

Fables choisies (volumes 1 and 2)
Illustrations designed by Jean-Baptiste Oudry (French, 1686-1755) written by Jean de la Fontaine (French, 1621–1695) engravings by Charles-Nicolas Cochin (French, 1715–1790), Nicolas-Gabriel Dupuis (French, 1698–1771), Dominique Sornique (French, 1708–1756), Pierre François Tardieu (French, 1711–1771), René Gaillard (French, c. 1719–1790), Pierre Chenu (French, c. 1718-c. 1800), Michel Aubert (French, 1700-1757), Jean Charles Baquoy (French, 1721-1777), Pierre-Étienne Moitte (French, 1722-1780), Etienne Fessard (French, 1714-1777), Jean Ouvrier (French, 1725-1754), Claude Olivier Galimard (French, 1719-1774), Jean-Jacques Flipart (French, 1719-1782), Nicolas Dauphin de Beauvais (French, c. 1687-1763), Louis-Claude Legrand (French, 1723–1807), Pierre Quentin Chedel (French, 1705-1763), Pierre Aveline (French, 1702-1760), Jacques Philippe Le Bas (French, 1707–1783), Pieter Franciscus Martenisie (Flemish, 1729-1789), Laurent Cars (French, 1699-1771), Jean Pelletier (French, born c. 1736), Pierre Louis de Surugue (French, 1716-1772), Jacques-Jean Pasquier (French, 1718-1785), Johann Christoph Teucher (German, c. 1716-c. 1750), Juste Chevillet (German, 1729-1790), Johann Heinrich Rode (German, 1727-1759), Élie du Mesnil (French, born 1726), Martin Marvie (French, 1713-1813), Jacques Firmin Beauvarlet (French, 1731-1797), William Wynne Ryland (British, 1732-1783), Jacques Aliamet (French, 1726-1788), Noël Le Mire (French, 1724-1801), Louis-Simon Lempereur (French, 1728-1807), and Antoine Radigues (French, 1721-1809) wood engravings by Nicolas Le Sueur (French, 1691–1764) after illustrations designed by Jean Jacques Bachelier (French, 1724-1806) printed by Charles-Antoine Jombert (French, 1712–1784) published by Desaint et Saillant (French, 18th century) and Durand (French, 18th century)