Imitator’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Self-Portrait
After Sir William Beechey English, 1753-1839

Mark Pringle
Sir William Beechey (British, 1753-1839)

Allegory of Venus and Cupid
Imitator of Titian (Italian, c. 1488–1576)

The Couple
Constantin Guys, style of French, 1802-1892

Standing Nude Woman
Sir George Clausen English, 1852-1944

Isolde
Circle of Sir John Everett Millais (English, 1829–1896)

Don Quixote and the Windmills
Imitator of Honoré Victorin Daumier (French, 1808–1879)

Portrait of a Man with Gray Hair
Henry Raeburn (Scottish, 1756–1823)

Lady Sarah Bunbury Sacrificing to the Graces
Sir Joshua Reynolds (English, 1723–1792)

Woman at a Piano
Pierre Auguste Renoir, imitator of French, 1841-1919

Daphne
Sir Edward Burne-Jones, style of English, 1833-1898

Bacino di San Marco with the Dogana del Mare and Santa Maria della Salute
Francesco Guardi, style of Italian, 1712-1793

Isabella Wolff
Sir Thomas Lawrence (English, 1769-1830)

Paldao Ectoplastic Desk (no. 4106)
Gilbert Rohde (American, 1894–1944) Herman Miller Furniture Company (American, founded 1923) Zeeland, Michigan

Spanish Woman
Edouard Manet, style of French, 1832-1883

Man in Ballet Costume Wearing a Turban
Amedeo Modigliani, style of Italian, 1884-1920

Anna Maria Dashwood, later Marchioness of Ely
Sir Thomas Lawrence (English, 1769-1830)

Eleanor Margaret Gibson-Carmichael
Henry Raeburn (Scottish, 1756–1823)

Seated Woman
Amedeo Modigliani, style of Italian, 1884-1920

A Grey Day, Tangier
Sir John Lavery Irish, 1856-1941