Follower’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Mary Magdalene
Possibly a follower of Giovanni Battista Gaulli (Italian, 1639-1709) or Domenichino (Italian, 1581-1641) or the circle of Taddeo Zuccaro (Italian, 1529-1566) or the style of Giovanni Baglione (Italian, 1573-c. 1644)
Flora
Giovanni Battista Gaulli, called Il Baciccio Italian, 1639-1709
Standing Franciscan Saint Holding Crucifix
View of Ponte Lugano on the Anio, from Views of Rome
Giovanni Battista Piranesi (Italian, 1720-1778) published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9)
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Four Putti
probably the style of Giovanni Battista Gaulli (Italian, 1639-1709) or possibly the style of Giovanni Odazzi (Italian, 1663-1731) or Giovanni Lanfranco (Italian, 1582-1647)
Oracle and Worshippers before the Statue of Artemis of Ephesus
Follower of Battista Franco, called Il Semolei Italian, c. 1510-1561
Bust of Giovanni Battista de Luca
Bernardo Fioriti (Bernardino or Focoso; Italian, active 1643–1674)
Armida Encounters the Sleeping Rinaldo
Giovanni Battista Tiepolo (Italian, 1696–1770)
Detail Study for The Assumption of St. Agnes
Rinaldo and the Magus of Ascalon
Armida Abandoned by Rinaldo
Rinaldo and Armida in Her Garden
The Giant Wheel, plate 9 from Imaginary Prisons
Giovanni Battista Piranesi Italian, 1720-1778
Gian Lodovico Madruzzo
Giovanni Battista Moroni (Italian, 1520/24–1578)
Virgin and Child with Saints Dominic and Hyacinth
Pastoral Scene
Giovanni Battista Piazzetta (Italian, 1682–1754)
A Nymph with a Small Satyr and Two Goats, from Capricci
Giovanni Battista Tiepolo Italian, 1696–1770
Death Giving Audience, from Capricci
Adoration of the Magi