Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Cumean Sibyl
Style of Bartolomeo Passarotti Italian, 1529-1592
Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)
Bartolomeo Passarotti Italian, 1529-1592
Ideal Bust of a Woman
Attributed to Bartolomeo Passarotti Italian, 1529-1592
Saints Jerome and Francis of Assisi Adoring the Trinity
Old Matron and Young Woman
Standing Putto Seen from the Front: Study for the Virgin in Glory with Saints Petronius, Dominic, and Peter Martyr
Rest on the Flight into Egypt
Bartolomeo Biscaino Italian, before 1629-1657
Half-Length Sketch of a Gentleman Wearing Hat and Cape
Cupid Chastised
Bartolomeo Manfredi (Italian, 1582–1622)
Scenes from the Life of Saint John the Baptist
Bartolomeo di Giovanni (Italian, active c. 1465-1501)
Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens
Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook
Italian (Siena) Martino di Bartolomeo (Italian, 1389-1434/5) 1394/95
Study
Attributed to Giuseppe Bartolomeo Chiari (Italian, 1654-1727) or possibly Giacinto Calandrucci (Italian, 1646-1707) or possibly Pietro da Cortona (Italian, 1596-1669)
Hercules and Hesione
Attributed to Bartolomeo Salvestrini (Italian, died 1630)
Hampstead, Stormy Sky
In the style of John Constable (English, 1776–1837)
Half-Length Praying Figure
Unknown Italian artist style of Carlo Cignani (Italian, 1628-1719)
Battle Scene with Central Figure on Rearing Horse
possibly Unknown German artist or Style of Luca Giordano (Italian, 1632-1705)
Venetian Atmosphere
James McNeill Whistler, style of American, 1834-1903
Allegorical Figure
Attributed to Bartolomeo Ammanati (Italian, 1511–1592)
Seated Youth Wearing a Monk's Habit: Study for Saint Benedict
Bartolomeo Cesi Italian, 1556-1629