Style’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Madonna and Child Appearing to Male Saint and Angel
Attributed to the Style of Andrea Boscoli (Italian, 1550-1606) or Lodovico Carracci (Italian, 1555-1619) or Domenico Fiasella (Italian, 1589-1669)
Dancing Satyr on Socle
Style of Andrea Riccio (Italian, 1470–1532)
Olympias, Mother of Alexander, Visited by Zeus in the Guise of a Serpent
Attributed to Andrea Boscoli Italian, c. 1560-1608
Christ Entering Jerusalem
Andrea Boscoli Italian, 1560-1608
Standing Academy
Andrea Boscoli Italian, c. 1560-1608
Two Standing Female Figures (Studies after Classical Statuary)
Adoration of the Christ Child
Workshop of Andrea della Robbia (Italian, 1435–1525)
Annunciation
After Andrea Boscoli Italian, c. 1560-1608
The Annunciation
After a design by an artist in the circle of Andrea Mantegna (Italian, 1431–1506)
Saints Peter and Paul Disputing with Simon Magus before Nero (recto); Five Scenes from the Story of Moses (verso)
Kneeling Figure from the Back (recto); Three Half-length Studies of Veiled Female Figure (verso)
Martyrdom of Saint Peter
Oil Lamp in the Form of a Sphinx
Follower of Andrea Riccio (Andrea Briosco; Italian, 1470–1532)
Faun Attacking a Snake
School of Andrea Mantegna Italian, 1431-1506
Figures from a Massacre of the Innocents
The Flagellation of Christ, with the Pavement
Kylix (Drinking Cup)
Attributed to the Manner of Douris (painter) Greek; Athens
The Entombment
Workshop of Andrea Mantegna Italian, 1431-1506
Official Welcome
Andrea Fraser American, born 1965
Design for Trompe l'Oeil Cupola
Style of Andrea Pozzo Italian, 1642-1709