School’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Two Sketches: Man with Dog, Group of Figures
School of Alessandro Magnasco (Italian, 1667-1749) or Nicolas Poussin (French, 1594-1665)
Theodosius Repulsed from the Church by Saint Ambrose
Alessandro Magnasco (Italian, 1667–1749)
Arcadian Landscape with Figures
Picaresque Group with a Monkey and a Magpie
Alessandro Magnasco Italian, 1667-1749
The Synagogue
Alessandro Magnasco (Italian, 1667-1749)
Ballad Singer at a Shrine of the Virgin
Monks at Supper
Study Sheet with Seated Figures
Alessandro Magnasco Italian, 1657-1749
Posthumous Bust of Pope Pius V
Follower of Alessandro Algardi (Italian, 1598–1654)
Articulated Dragon
Myochin School Japanese, active late 19th century
Vision of Saint Francis of Assisi at the Portiuncula (recto); Ornamental Design (verso)
Circle of Alessandro Allori Italian, 1535-1607
The Annunciation
Alessandro Vittoria (Italian, 1525–1608)
Francesco de' Medici
Attributed to Alessandro Allori (Italian, 1535–1607)
Saint Cecilia
Circle of Alessandro Casolani Italian, 1552/53-1607
Return of the Prodigal Son
Attributed to Alessandro Magnasco (Italian, 1667-1749) or the style of Francesco Monti (Italian, 1685-1768) after Corrado Giaquinto (Italian, 1693/99-1765)
Crucifix
Alessandro Algardi (Italian, 1598–1654)
Portrait of a Musician
Alessandro Longhi (Italian, 1733–1813)
Alessandro de' Medici
Jacopo da Pontormo (Jacopo Carrucci; Italian, 1494-1557)
Madonna and Child
Afted Alessandro Algardi (Italian, 1598–1654)
The Battle of St. James The Greater at Clavijo
school of Martin Schongauer German, c. 1430/50-1491