School’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Two Sketches: Man with Dog, Group of Figures
School of Alessandro Magnasco (Italian, 1667-1749) or Nicolas Poussin (French, 1594-1665)

Saint Joseph with the Child Jesus in his Carpentry Shop
Attributed to Pietro della Vecchia (Italian, 1605-1678) or Vecchietta (Lorenzo di Pietro di Giovanni) (Italian, 1410-1480) or the School of Alessandro Magnasco (Italian, 1667-1749)

Theodosius Repulsed from the Church by Saint Ambrose
Alessandro Magnasco (Italian, 1667–1749)

Arcadian Landscape with Figures
Alessandro Magnasco (Italian, 1667–1749)

Picaresque Group with a Monkey and a Magpie
Alessandro Magnasco Italian, 1667-1749

The Synagogue
Alessandro Magnasco (Italian, 1667-1749)

Ballad Singer at a Shrine of the Virgin
Alessandro Magnasco Italian, 1667-1749

Monks at Supper
Alessandro Magnasco (Italian, 1667–1749)

Study Sheet with Seated Figures
Alessandro Magnasco Italian, 1657-1749

Posthumous Bust of Pope Pius V
Follower of Alessandro Algardi (Italian, 1598–1654)

Articulated Dragon
Myochin School Japanese, active late 19th century

Vision of Saint Francis of Assisi at the Portiuncula (recto); Ornamental Design (verso)
Circle of Alessandro Allori Italian, 1535-1607

The Annunciation
Alessandro Vittoria (Italian, 1525–1608)

Francesco de' Medici
Attributed to Alessandro Allori (Italian, 1535–1607)

Saint Cecilia
Circle of Alessandro Casolani Italian, 1552/53-1607

Return of the Prodigal Son
Attributed to Alessandro Magnasco (Italian, 1667-1749) or the style of Francesco Monti (Italian, 1685-1768) after Corrado Giaquinto (Italian, 1693/99-1765)

Crucifix
Alessandro Algardi (Italian, 1598–1654)

Portrait of a Musician
Alessandro Longhi (Italian, 1733–1813)

Madonna and Child
Afted Alessandro Algardi (Italian, 1598–1654)

Alessandro de' Medici
Jacopo da Pontormo (Jacopo Carrucci; Italian, 1494-1557)