Rembrandt van Rijn’s compelling drawings not only impacted the style and approaches of the students of his workshop but also the manners of various other artists in his own century and beyond.

The Degradation of Haman before Ahasuerus and Esther
School of Rembrandt van Rijn (Dutch, 1606-1669) contemporary with Govert Flinck (Dutch, 1615-1660) with corrections by Rembrandt or a member of Rembrandt workshop

Seated Male Nude (recto); Sketches of Hand and Boy'd Head (verso)
School of Rembrandt van Rijn (Dutch, 1606-1669) or possibly Jacob Adriaenzoon de Backer (Dutch, 1608-1651) or Matthäus Merian, the Younger (Swiss, 1621-1687) or in the Style of Govert Flinck (Dutch, 1615-1660)

Woman Seated on Bench and Three Sketches of Heads
School of Rembrandt van Rijn Dutch, 1606-1669

The Good Samaritan
School of Rembrandt van Rijn Dutch, 1606-1669

Young Woman at an Open Half-Door
Rembrandt van Rijn (Dutch, 1606–1669) Workshop of Rembrandt van Rijn (Dutch, 1606–1669)

Three Oriental Figures (Jacob and Laban?)
Rembrandt van Rijn Dutch, 1606-1669

Old Man with a Gold Chain
Rembrandt van Rijn (Dutch, 1606–1669)

Adam and Eve
Rembrandt van Rijn Dutch, 1606-1669

Self-Portrait Etching at a Window
Rembrandt van Rijn Dutch, 1606-1669

Christ Crucified between the Two Thieves: "The Three Crosses"
Rembrandt van Rijn Dutch, 1606-1669

Jacob's Farewell to Benjamin
Follower of Rembrandt van Rijn (Dutch, 1606–1669)

Seated Female Nude
Rembrandt van Rijn Dutch, 1606-1669

Kostverloren Castle in Decay
Rembrandt van Rijn Dutch, 1606-1669

The Raising of Lazarus
Follower of Rembrandt van Rijn (Dutch, 1606–1669)

The Hundred Guilder Print
Rembrandt van Rijn Dutch, 1606-1669

The Phoenix or The Statue Overthrown
Rembrandt van Rijn Dutch, 1606-1669

The Monk in the Cornfield
Rembrandt van Rijn Dutch, 1606-1669

Young Man in a Turban
Follower of Rembrandt van Rijn (Dutch, 1606–1669)

The Descent from the Cross: Second Plate
Rembrandt van Rijn Dutch, 1606-1669

Jan Lutma, Goldsmith
Rembrandt van Rijn Dutch, 1606-1669