Rembrandt van Rijn’s compelling drawings not only impacted the style and approaches of the students of his workshop but also the manners of various other artists in his own century and beyond.
The Degradation of Haman before Ahasuerus and Esther
School of Rembrandt van Rijn (Dutch, 1606-1669) contemporary with Govert Flinck (Dutch, 1615-1660) with corrections by Rembrandt or a member of Rembrandt workshop
Seated Male Nude (recto); Sketches of Hand and Boy'd Head (verso)
School of Rembrandt van Rijn (Dutch, 1606-1669) or possibly Jacob Adriaenzoon de Backer (Dutch, 1608-1651) or Matthäus Merian, the Younger (Swiss, 1621-1687) or in the Style of Govert Flinck (Dutch, 1615-1660)
Woman Seated on Bench and Three Sketches of Heads
School of Rembrandt van Rijn Dutch, 1606-1669
The Good Samaritan
Young Woman at an Open Half-Door
Rembrandt van Rijn (Dutch, 1606–1669) Workshop of Rembrandt van Rijn (Dutch, 1606–1669)
Three Oriental Figures (Jacob and Laban?)
Rembrandt van Rijn Dutch, 1606-1669
Old Man with a Gold Chain
Rembrandt van Rijn (Dutch, 1606–1669)
Adam and Eve
Self-Portrait Etching at a Window
Christ Crucified between the Two Thieves: "The Three Crosses"
Jacob's Farewell to Benjamin
Follower of Rembrandt van Rijn (Dutch, 1606–1669)
Seated Female Nude
Kostverloren Castle in Decay
The Raising of Lazarus
The Hundred Guilder Print
The Phoenix or The Statue Overthrown
Young Man in a Turban
The Monk in the Cornfield
The Descent from the Cross: Second Plate
Jan Lutma, Goldsmith