Imitator’s work is defined by its 17th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Allegory of Venus and Cupid
Imitator of Titian (Italian, c. 1488–1576)
Portrait of a Lady
Follower of Titian (Italian, c. 1488-1576)
Massacre of the Innocents
Circle of Tiziano Vecellio, called Titian Italian, c. 1488-1576
Portrait of Titian
Agostino Carracci (Italian, 1557-1602) after a self-portrait by Titian (Italian, c. 1488-1576)
Écorché before Landscape (recto); Sketches of Standing Male Nude, Seated Child, Stooping Woman (verso)
After Jan Stephan van Calcar (Netherlandish,1499-1546/50) or after Tiziano Vecellio, called Titian (Italian, c. 1488-1576)
The Couple
Constantin Guys, style of French, 1802-1892
Tobias and the Angel
After Tiziano Vecellio, called Titian Italian, c. 1488-1576
The Submersion of Pharaoh's Army in the Red Sea
After Titian (Italian, c. 1488-1576) published by Domenico dalle Greche (Italian, active 1543-1558)
Self-Portrait
after Tiziano Vecellio, called Titian Italian, c. 1488-1576
Don Quixote and the Windmills
Imitator of Honoré Victorin Daumier (French, 1808–1879)
Penitent Magdalene
Woman at a Piano
Pierre Auguste Renoir, imitator of French, 1841-1919
Paldao Ectoplastic Desk (no. 4106)
Gilbert Rohde (American, 1894–1944) Herman Miller Furniture Company (American, founded 1923) Zeeland, Michigan
Bacino di San Marco with the Dogana del Mare and Santa Maria della Salute
Francesco Guardi, style of Italian, 1712-1793