Rudolf’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Words 1931
Rudolf Baranik American, born 1920
Untitled
Rudolf Stingel Italian, born 1956
Naples with Mt. Vesuvius
Rudolf von Alt Austrian, 1812-1905
The Earth Must Not Become a Dead Planet. Megalithic Structures – Egypt – Greece – Gothic – The Present – Explosion (Zem sa nesmie stát mrtvou planétou. Megalitické stavby – Egypt – Grécko – Gotika – Súcasnost – Vybuch)
Rudolf Sikora Slovak, born 1946
Exclamation Point (Vykricnik)
Study for Exclamation Point (Vykricnik [Projekt])
Exclamation Point VI (Vykricnik VI)
Civilizational Cross-Sections VI (Rezy Civilizaciou VI)
Exclamation Point VII (Vykricnik VII)
Page CCCL from Vom Bergwerck XII Bücher by Agricola, plate 43 from Woodcuts from Books of the XVI Century
Hans Rudolf Manuel Deutsch (Swiss, 1525-1572) assembled by Max Geisberg (Swiss, 1875-1943)
Medallion Portraits of Henry and Margaret of Navarre (recto) and Portraits of Barbarossa and of Muleasem of Tunis (verso) from Bildtnussen der Rhömischen Keyseren, plate 44 from Woodcuts from Books of the XVI Century
View of Cologne (recto) Man Hanged from a Tree (verso), Two leafs DCCXXI-DCCXXIIII from Kosmographie by S. Münster, plate 45 from Woodcuts from Books of the XVI Century
Topography XXXII (Topografia XXXII)
Schmolnau Near Ischl
Leaving the City (detail) (Z Mesta Von I (detail))
Leaving the City II (Z mesta von II)
Studies of Slovakian Peasant Wagons with Oxen and Horses
Vesper Bells, No. 6 from the portfolio "American Pictorial Photography, Series I" (1899); edition 146/150
Rudolf Eickemeyer, Jr. American, 1862–1932
Decorative Border (recto) and Portrait of Emporer Anastasius (verso), plate nine from Woodcuts from Books of the XVI Century
Attributed to Hans Rudolf Manuel Deutsch (Swiss, 1525-1572) or Peter Flötner (German, 1485/96-1546) assembled by Max Geisberg (Swiss, 1875-1943)