Lippi-Pesellino’s work is defined by its 15th century sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Virgin and Child
Lippi-Pesellino Imitator (Italian, active c. 1450-1500)
Medici Armorial
After a cartoon by Lorenzo Lippi (1606–1665), painted before April 27, 1643 Woven at the Medici workshop under the direction of Pietro van Asselt (c. 1600–1644), before June 15, 1644 Italy, Florence
Allegory of Venus and Cupid
Imitator of Titian (Italian, c. 1488–1576)
The Couple
Constantin Guys, style of French, 1802-1892
Paldao Ectoplastic Desk (no. 4106)
Gilbert Rohde (American, 1894–1944) Herman Miller Furniture Company (American, founded 1923) Zeeland, Michigan
Drawing for Lippy
Jim Nutt American, born 1938
Don Quixote and the Windmills
Imitator of Honoré Victorin Daumier (French, 1808–1879)
Bacino di San Marco with the Dogana del Mare and Santa Maria della Salute
Francesco Guardi, style of Italian, 1712-1793
Woman at a Piano
Pierre Auguste Renoir, imitator of French, 1841-1919
Imitation of Life
Mathias Poledna Austrian, born 1965
Spanish Woman
Edouard Manet, style of French, 1832-1883
Man in Ballet Costume Wearing a Turban
Amedeo Modigliani, style of Italian, 1884-1920
Seated Woman
Head Ornament
Tekna Laayoune, Western Sahara Northern Africa and the Sahel
Entombment (recto); Virgin and Child with the Infant John the Baptist (verso)
Imitator of Giovanni Francesco Barbieri, called Guercino Italian, 1591-1666
Madame Réjane
Aubrey Vincent Beardsley, imitator of English, 1872-1898
The King's Card Game, copy
Henri de Toulouse-Lautrec French, 1864-1901
In the Woods
Imitator of Narcisse Virgile Diaz de la Peña (French, 1807-1876)
Woman with Elaborate Coiffure
Woman in a Park
Maurice Prendergast, imitator of American, 1858-1924