Carolina’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Perro ovejero/Sheep Dog
Carolina Franco-Garcia Colombian, late 20th century
Untitled, from the portfolio "1991–1992 Graduate/Faculty Photography Portfolio, School of the Art Institute of Chicago"
The Earth Is a Man
Roberto Matta Chilean, 1911–2002
Object with Number 1
Joaquín Torres-García Uruguayan, 1874–1949
Sketches of Figures
Battista Franco, called Il Semolei Italian, c. 1510-1561
Virgin and Child with Infant St. John the Baptist and a Female Saint
After the Antique: Greek and Amazon
Two Standing Draped Figures (Saint John and the Magdalene?)
Attributed to Battista Franco, called Il Semolei (Italian, c. 1510-1561) after Parmigianino (Italian, 1503-1540)
Half-length Sketch of Bearded Man (Jupiter?)
After Battista Franco, called Il Semolei Italian, c. 1510-1561
The Discovery of Oneself
Joaquín Torres García Uruguayan, 1874-1949
A29: South Carolina Ballroom, 1775-1835
Designed by Narcissa Niblack Thorne American, 1882-1966
A28: South Carolina Drawing Room, 1775-1800
Oracle and Worshippers before the Statue of Artemis of Ephesus
Follower of Battista Franco, called Il Semolei Italian, c. 1510-1561
Sadie Pfeifer, a Cotton Mill Spinner, Lancaster, South Carolina
Lewis Wickes Hine American, 1874–1940
North Carolina Lily Quilt
United States
The Dream and Lie of Franco (Plate I)
Pablo Picasso (Spanish, 1881-1973) printed by Roger Lacourière (French, 1892-1966)
North Carolina
Aaron Siskind American, 1903–1991
Funeral, St. Helena, South Carolina
Robert Frank (American, born Switzerland, 1924–2019) printed under the artist's supervision by Sidney Kaplan (American, born 1913)
At the Moulin Rouge: the Franco-Russian Alliance
Henri de Toulouse-Lautrec French, 1864-1901