Carolina’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Perro ovejero/Sheep Dog
Carolina Franco-Garcia Colombian, late 20th century
Untitled, from the portfolio "1991–1992 Graduate/Faculty Photography Portfolio, School of the Art Institute of Chicago"
The Earth Is a Man
Roberto Matta Chilean, 1911–2002
Object with Number 1
Joaquín Torres-García Uruguayan, 1874–1949
Sketches of Figures
Battista Franco, called Il Semolei Italian, c. 1510-1561
Virgin and Child with Infant St. John the Baptist and a Female Saint
After the Antique: Greek and Amazon
Two Standing Draped Figures (Saint John and the Magdalene?)
Attributed to Battista Franco, called Il Semolei (Italian, c. 1510-1561) after Parmigianino (Italian, 1503-1540)
Half-length Sketch of Bearded Man (Jupiter?)
After Battista Franco, called Il Semolei Italian, c. 1510-1561
The Discovery of Oneself
Joaquín Torres García Uruguayan, 1874-1949
A29: South Carolina Ballroom, 1775–1835
Designed by Narcissa Niblack Thorne American, 1882–1966
A28: South Carolina Drawing Room, 1775–1800
Oracle and Worshippers before the Statue of Artemis of Ephesus
Follower of Battista Franco, called Il Semolei Italian, c. 1510-1561
Sadie Pfeifer, a Cotton Mill Spinner, Lancaster, South Carolina
Lewis Wickes Hine American, 1874–1940
North Carolina Lily Quilt
United States
The Dream and Lie of Franco (Plate I)
Pablo Picasso (Spanish, 1881-1973) printed by Roger Lacourière (French, 1892-1966)
At the Moulin Rouge: the Franco-Russian Alliance
Henri de Toulouse-Lautrec French, 1864-1901
North Carolina
Aaron Siskind American, 1903–1991
Funeral, St. Helena, South Carolina
Robert Frank (American, born Switzerland, 1924–2019) printed under the artist's supervision by Sidney Kaplan (American, born 1913)