Standish’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Teapot
Standish Barry American, 1763–1844 Baltimore
Portrait of John McLure Hamilton
Archibald Standish Hartrick Scottish, 1864-1950
The Thames, or The Triumph of Navigation
James Barry Irish, 1741-1806
Pocket
Attributed to Sally Standish (American, c. 1799) Massachusetts or Rhode Island, United States
Milton Dictating to Ellwood the Quaker
Study for Commerce or the Triumph of the Thames
Attributed to James Barry Irish, 1741-1806
Pandora
Untitled
Robert Barry American, born 1936
Eastern Patriarch, from the first issue of Specimens of Polyautography
James Barry (Irish, 1741-1806) published by Philipp André (German, active London, 1800–1805) and James Heath (British, 1757–1834)
Jeanne Bécu, Comtesse Du Barry, and her servant Zamor
Jean-Baptiste-André Gautier D'Agoty French, 1740-1786
I feel the intruder, from N.A.M.E. portfolio
Barry Holden, (American, 20th century) published by Landfall Press
Ray Barry
Duane Stephen Michals American, 1932-2026
Saint Francis Xavier High School, Wilmette, Illinois, Perspective Sketch
Barry Byrne (American, 1883-1967) Alfonso Iannelli (American, born Italy, 1888-1965)
Grey Felt, Aluminum
Barry Le Va American, 1941-2021
Soup Plate from a service for Madame du Barry
Sèvres Porcelain Manufactory (1756–present) Painted by Nicolas Bulidon (French, active 1763–92) Sèvres, France
Portrait of John Bawden
John Barry (British, active 1784–1827)
Portrait of Mr. Booth
Attributed to John Barry (English, active 1784–1827)
Head of Neptune
James Barry (Irish, 1741-1806) or circle of or James Thornhill (English, 1675-1734)