Mei’s work is defined by its chinese (culture or style) sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

The Plum Blossom Studio in the style of Li Cheng
Mei Chong Chinese, 1623-1697

Autumn Grace (Qiu de Fengcai)
Chao Mei Chinese, born 1931

Drinking and Dancing before the Tribal Chief
Leng Mei (Chinese, 1669-1742)

Woman Fantasizing
Leng Mei Chinese, c. 1700/1750

Saint Jerome
Raphael de Mey German, active 16th century in imitation of Lucas van Leyden Netherlandish, c. 1494-1533

Conjunction 79–31
Ha Chong-Hyun Korean, born 1935

Conjunction 81-79
Ha Chong-Hyun Korean, born 1935

Three Old Figures
Fay Chong (American, 1912-1973) published by the Works Progress Administration

Two Ladies of Ancient Rome
Paolo Mei Italian, active 1893

Bamboo and Plum
Mei Lanfang (Chinese, 1894-1961)

Square Dish with Symbols of Longevity and Immortality (Deer, Bats, Fungus, and Clouds) and the Phrase Tian Zhi Mei Lu (Beauty of Heavenly Prosperity)
China

Earth: Lin Chong (Do, Rinchu), from the series "The Five Elements of The Water Margin (Suiko gogyo)"
Totoya Hokkei Japanese, 1780-1850

Self-Portrait
Walter Shirlaw (American, 1838–1909)

Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)

Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)

Priest and Boy
Lawrence Carmichael Earle American, 1845-1921

A Sunday on La Grande Jatte — 1884
Georges Seurat (French, 1859–1891)

Fishing Craft near the Cliffs at Collioure
Adolphe Appian French, 1818-1898

Interior of St. Mark's, Venice
David Dalhoff Neal (American, 1838–1915)