Gian’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Sacrificial Scene
Gian Francesco de'Maineri Italian, active 1489-1506

Allegory of Charity
Francesco de Mura (Italian, 1696-1782)

Francesco de' Medici
Attributed to Alessandro Allori (Italian, 1535–1607)

Putti Carrying the Cross (recto); Studies of a Hand (verso)
Gian Lorenzo Bernini Italian, 1598-1680

Bust of a Youth (Saint John the Baptist)
Francesco Mochi (Italian, 1580–1654)

Gian Lodovico Madruzzo
Giovanni Battista Moroni (Italian, 1520/24–1578)

Study after Bernini's Angel sculpture at Ponte Sant'Angelo (recto); Copy of Africa Group (verso)
Recto after Gian Lorenzo Bernini (Italian, 1598-1680) Verso by Gian Lorenzo Bernini (Italian, 1598-1680) after Andrea Pozzo (Italian, 1642-1709)

May
Francesco Bartolozzi (Italian, 1727-1815) after William Hamilton (English, 1751-1801) published by John and Josiah Boydell (English, 18th century)

Adam and Eve in Paradise
Francesco Solimena (Italian, 1657–1747)

Virgin and Child Adored by Saint Francis
Francesco Albani (Italian, 1578-1660)

Wine Cistern
Francesco Durantino Italian, active 1543-after 1553

Portrait of an Old Man
Francesco Zuccarelli Italian, 1702-1788

The Grand Canal, Venice
Francesco Guardi (Italian, 1712–1793)

The Garden of Palazzo Contarini dal Zaffo
Francesco Guardi (Italian, 1712–1793)

Death Mask of Napoleon
Dr. C. Francesco Antommarchi (Italian, 1780–1838) Cast by Louis Richard and E. Quesnel, Paris (French, 1821–1836)

Interrelation of Volumes from the Ellipsoid
Georges Vantongerloo Belgian, 1886–1965

Allegorical Group of Victory Supported by Valor
Francesco Bertos (Italian, active 1693–1733)

Homer Dictating
Pier Francesco Mola (Italian, 1612–1666)

Ruined Archway
Francesco Guardi (Italian, 1712–1793)

Springtime and Love
Francesco Paolo Michetti (Italian, 1851–1929)