Lieven’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Cornelia Exhibiting Her Two Sons to a Friend
Livio Mehus Flemish, c. 1630-1691
Profile of Male Head, Crowned with Laurel Leaves
Attributed to Francesco Solimena (Italian, 1657-1747) or circle of Lieven Mehus (Flemish, 1630-1691)
Jan Lievens
Lucas Emil Vorsterman (Flemish, 1595-1675) after Anthony van Dyck (Flemish, 1599-1641)
Christ Washing the Disciples' Feet
Attributed to Jan Lievens (Dutch, 1607–1674)
Bust of a Man Facing Forward
Jan Lievens Dutch, 1607-1674
Bust of an Old Man Wearing a Fur Cap
Bust of an Oriental Man
Lieven van Coppenol
Cornelis Visscher Dutch, c. 1629-1658
Bust of an Old Man
Joost van den Vondel
Jeronimo de Bran
Lucas Emil Vorsterman (Flemish, 1595-1675) after Jan Lievens (Dutch, 1607-1674)
Lieven Willemsz van Coppenol, Writing Master: The Smaller Plate
Rembrandt van Rijn Dutch, 1606-1669
Lieven Willemsz. von Coppenol, Writing Master: The Larger Plate
Landscape with Shepherd Sleeping under Tree
Attributed to or a follower of Jan Andrea Lievens (Dutch, 1607-1674) or possibly Lambert Lombard (Flemish, 1506-1566)
Cloelia and Her Companions
Jean-Honore Fragonard (French, 1732-1806) after Livio Mehus (Flemish, c. 1630-1691)
Sacrifice of Abraham
Attributed to Jan Andrea Lievens (Dutch, 1607-1674) or Jan Luyken (Dutch, 1649-1712)
Portrait of Jacob van Campen
Abraham Lutma (Dutch, active c. 1650) probably after Jan Lievens (Dutch, 1607-1674)
Self-Portrait
Walter Shirlaw (American, 1838–1909)
Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)