Francisco’s work is defined by its renaissance sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
The Crucifixion
Francisco de Zurbarán (Spanish, 1598–1664)
Saint Romanus of Antioch and Saint Barulas
Ceremony in Church
Marie-Felice Subleyras-Tibaldi (Italian, 1707-1770) or after Pierre Subleyras (French, 1699-1749) or Francisco de Zurbaran (Spanish, 1620-1649)
Flowers and Fruit in a Porcelain Bowl
Juan de Zurbarán (Spanish, 1620–1649)
Refugee Camp, Ruins in Background, San Francisco Earthquake and Fire
Arnold Genthe American, born Germany, 1869–1942
Ruins of Church Looking North-East or East; Yerba Buena Island in far Right Distance) San Francisco Earthquake and Fire
Cooking on the street, San Francisco Earthquake and Fire
The Burning City, San Francisco Earthquake and Fire
Boy on a Ram
Francisco José de Goya y Lucientes (Spanish, 1746–1828)
Friar Pedro Shoots El Maragato as His Horse Runs Off
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F
Francisco José de Goya y Lucientes Spanish, 1746-1828
Portrait of General José Manuel Romero
The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos
Winter Scene
El Maragato Threatens Friar Pedro de Zaldivia with His Gun
Friar Pedro Binds El Maragato with a Rope
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun
Be Careful with that Step!
Friar Pedro Clubs El Maragato with the Butt of the Gun
The Hanged Monk