Artist

Michel Ange Houasse

1680–1730

132130

Works

Years lived

Painter

Style

Michel’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Selected works

132130 pieces

Landscape along a River

Attributed to Michel-Ange Houasse French, 1680-1730

Landscape with an Old Castle

Attributed to Michel-Ange Houasse French, 1680-1730

Naomi Counseling Ruth Near the Farm of Boaz

Attributed to Michel Corneille, the Younger (French, 1642–1708) after Annibale Carracci (Italian, 1560-1609)

Birth of Venus

Michel Corneille, the Younger French, 1642–1708

Bust of Seleucus Nicator of Syria

Italian Chiurazzi and De Angelis Foundry, Naples, Italy

The Storm

Georges Michel (French, 1763-1843)

Ascension of Christ

Giulio Cesare Angeli Italian, 1570-1630

Abduction of the Sabines

Attributed to Giuseppe Angeli (Italian, c. 1709-1798)

The Church of Santa Maria della Salute, Venice

Michele Marieschi (Italian, 1710–1743)

The Baptism of Christ (verso); The Circumcision of Christ (recto), pages 34 and 33, from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

Image of Death (Imago Mortis), from the Nuremberg Chronicle

Michael Wolgemut and Workshop German, 1434-1519

Portrait of a Lady

Michele Tosini (Michele di Ridolfo; Italian, 1503–1577)

Rest on the Flight into Egypt

Michel Corneille, the Younger French, 1642–1708

Morion for the Bodyguard of the Elector of Saxony

Probably Hans Michel (German, 1539-1599) Nuremberg

Christ Presented to the People, page 73 from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto), pages three and two from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Virtues of Christ and the Wickedness of His Enemies Symbolized by Diverse Birds and Beasts (verso); The Last Supper (recto), pages 66 and 65 from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Stoning of Zacharias and Isaias, page 9 from the Treasury (Schatzbehalter)

Michael Wolgemut and Workshop (German, 1434/37–1519) published by Anton Koberger (German, 1440–1513)

The Scourging of Christ (verso), and The Israelites Enslaved in Egypt (recto), from Schatzbehalter (Treasury)

Michel Wolgemut (German, 1434/37–1519) printed and published by Anton Koberger (German, c. 1440/45–1513) original text by Stephan Fridolin (German, c. 1430–1498) portfolio text by Wilhelm Ludwig Schreiber (German, 1855–1932)

Propeller-Wind

Robert Michel German, 1897-1983