Cornelis’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Angels Making Music
Cornelis Schut, I (Flemish, 1597-1655) after Peter Paul Rubens (Flemish, 1577-1640)
The Rape of Europa
Cornelis Schut Flemish, 1597-1655
Beheading of Male Saint in Presence of Roman Ruler
Attributed to Cornelis Schut, I Flemish, 1597-1655
Madonna and Child Adored by Saints Anthony and John the Baptist
Style of Cornelis Schut Flemish, 1597-1655
Elevator Grille from the Chicago Stock Exchange, Chicago, Illinois
Louis H. Sullivan American, 1856-1924
Head of an Old Woman (so-called portrait of Visscher's mother)
Cornelis Visscher Dutch, c. 1629-1658
Landscape in the Style of Ancient Masters: Artist's commentary
Lan Ying (Chinese, 1585-c. 1664)
A Young Man Caressing the Young Hostess
Cornelis Pietersz Bega Dutch, 1631/32-1664
Elements of Composite Armor
German or Austrian
Self-Portrait
Peter Isbrandi
A Witches' Sabbath
Cornelis Saftleven (Dutch, 1607–1681)
Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia
Woman Milking a Cow, plate 3 from Four Landscapes
Cornelis Visscher (Dutch, c. 1629-1658) after Nicolaes Berchem (Dutch, 1620-1683)
The Hurdy-Gurdy Player
Cornelis Visscher (Dutch, c. 1629-1658) after Adriaen van Ostade (Dutch, 1610-1685)
Interior in an Inn, called "The Skaters" (De Schaatsenrijder)
The Battle of Zama
After Cornelis Cort (Netherlandish, 1533–1578)
The Large Cat
The Mousetrap
Susanna and the Elders, from Cabinet Reynst
Cornelis Visscher (Dutch, c. 1629-1658) after Guido Reni (Italian, 1572-1642)