Cornelis’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Angels Making Music
Cornelis Schut, I (Flemish, 1597-1655) after Peter Paul Rubens (Flemish, 1577-1640)
The Rape of Europa
Cornelis Schut Flemish, 1597-1655
Beheading of Male Saint in Presence of Roman Ruler
Attributed to Cornelis Schut, I Flemish, 1597-1655
Madonna and Child Adored by Saints Anthony and John the Baptist
Style of Cornelis Schut Flemish, 1597-1655
Elevator Grille from the Chicago Stock Exchange, Chicago, Illinois
Louis H. Sullivan American, 1856-1924
Head of an Old Woman (so-called portrait of Visscher's mother)
Cornelis Visscher Dutch, c. 1629-1658
Landscape in the Style of Ancient Masters: Artist's commentary
Lan Ying (Chinese, 1585-c. 1664)
A Young Man Caressing the Young Hostess
Cornelis Pietersz Bega Dutch, 1631/32-1664
Elements of Composite Armor
German or Austrian
Self-Portrait
Peter Isbrandi
A Witches' Sabbath
Cornelis Saftleven (Dutch, 1607–1681)
Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia
Woman Milking a Cow, plate 3 from Four Landscapes
Cornelis Visscher (Dutch, c. 1629-1658) after Nicolaes Berchem (Dutch, 1620-1683)
Slip of the Tongue
Nairy Baghramian German, born Iran, 1971
The Hurdy-Gurdy Player
Cornelis Visscher (Dutch, c. 1629-1658) after Adriaen van Ostade (Dutch, 1610-1685)
Interior in an Inn, called "The Skaters" (De Schaatsenrijder)
The Battle of Zama
After Cornelis Cort (Netherlandish, 1533–1578)
The Large Cat
The Mousetrap