Ottavio’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.
Resurrected Christ Appearing to His Mother
Attributed to Ottavio Vannini (Italian, 1585-1643) or Cesare Dandini (Italian, c. 1595-1658) or Camillo Procaccini (Italian, c. 1551-1629)
Giovanni Baglione
Ottavio Mario Leoni Italian, 1578-1630
Presentation of Christ
After Lorenzo di Ottavio Costa Italian, c. 1460-1535
Antonius Tempesta
Marcellus Provenzalis
Mario Nuzzi, called Mario de' Fiori
Ottavio Leoni Italian, 1578-1630
Camillo Graffico, Ercole Pedemonte, and Antonio Carone
Self-Portrait as Knight of Malta
Cardinal Ludovico Ludovisi
Cristoforo Roncalli, called Il Pomarancio
Ottavio Leoni Italian 1578-1630
Self-Portrait
Head and Shoulders of a Man seen from the Back
Attributed to Oliver Isaac, the elder (French, before 1568-1617) possibly after Ottavio Mario Leoni (Italian, 1578-1630)
Walter Shirlaw (American, 1838–1909)
Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)
Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)
Priest and Boy
Lawrence Carmichael Earle American, 1845-1921
A Sunday on La Grande Jatte — 1884
Georges Seurat (French, 1859–1891)