Ottavio’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Resurrected Christ Appearing to His Mother
Attributed to Ottavio Vannini (Italian, 1585-1643) or Cesare Dandini (Italian, c. 1595-1658) or Camillo Procaccini (Italian, c. 1551-1629)

Giovanni Baglione
Ottavio Mario Leoni Italian, 1578-1630

Presentation of Christ
After Lorenzo di Ottavio Costa Italian, c. 1460-1535

Antonius Tempesta
Ottavio Mario Leoni Italian, 1578-1630

Marcellus Provenzalis
Ottavio Mario Leoni Italian, 1578-1630

Cristoforo Roncalli, called Il Pomarancio
Ottavio Leoni Italian 1578-1630

Self-Portrait
Ottavio Leoni Italian 1578-1630

Mario Nuzzi, called Mario de' Fiori
Ottavio Leoni Italian, 1578-1630

Camillo Graffico, Ercole Pedemonte, and Antonio Carone
Ottavio Leoni Italian, 1578-1630

Self-Portrait as Knight of Malta
Ottavio Leoni Italian, 1578-1630

Cardinal Ludovico Ludovisi
Ottavio Leoni Italian, 1578-1630

Head and Shoulders of a Man seen from the Back
Attributed to Oliver Isaac, the elder (French, before 1568-1617) possibly after Ottavio Mario Leoni (Italian, 1578-1630)

Head of a Sleeping Man
Attributed to Giovanni Battista Salvi (Italian, 1609-1685) or Ottavio Mario Leoni (Italian, 1578-1630) or Carlo Maratti (Italian, 1625-1713)

Self-Portrait
Walter Shirlaw (American, 1838–1909)

Martin Vanden Bogaert Desjardins
Gérard Edelinck (French, born Flanders, 1640-1707) after Hyacinthe Rigaud (French, 1659-1743)

Remembrance of Italy
Jean-Baptiste-Camille Corot (French, 1796-1875) printed by Auguste Delâtre (French, 1822-1907) published by Cadart et Chavalier, Editeurs (French, 1801-1900)

Priest and Boy
Lawrence Carmichael Earle American, 1845-1921