Domenico’s work is defined by its painter sensibility — an enduring influence on generations that followed. Most artists are dead; following is a declaration of love.

Samson and the Lion (recto); Virgin Mary with Right Arm Extended (verso)
Probably Domenico Fiasella (Italian, 1589-1669) or possibly Lodovico Carracci (Italian, 1555-1619) or possibly a follower of Cesare Dandini (Italian 1596-1657)

Man Standing in Prayer (recto); Drapery Study (verso)
Domenico Fiasella Italian, 1589-1669

Seated Monk Holding Book
Probably Domenico Fiasella (Italian, 1589-1669) or possibly Lodovico Carracci (Italian, 1555-1619)

Standing Angel (recto); Study of Face and Drapery (verso)
Probably Domenico Fiasella (Italian, 1589-1669) or possibly Bernardo Strozzi (Italian, 1581-1644) or possibly Lodovico Carracci (Italian, 1555-1619)

Standing Youth in Profile to Right, Holding Staff
Probably Domenico Fiasella (Italian, 1589-1669) or possibly Agostino Carracci (Italian, 1557-1602)

Evangelist Writing at Desk
Probably Domenico Fiasella Italian, 1589-1669

Seated Woman in Profile, to Right
Probably Domenico Fiasella (Italian, 1589-1669) or possibly Agostino Carracci (Italian, 1557-1602)

Seated Woman with Book
Probably Domenico Fiasella (Italian, 1589-1669) or possibly the circle of Matteo Rosselli (Italian, 1578-1650) or possibly Lodovico Carracci (Italian, 1555-1619)

Standing Male Nude (recto); Two Half Length Male Figures, One with Raised Arm, the Other Praying (verso)
Probably Domenico Fiasella (Italian, 1589-1669) or possibly Lodovico Carracci (Italian, 1555-1619)

Seated Draped Male Figure with Book (recto); Two Seated Women with Sketch of Left Hand (verso)
Probably Domenico Fiasella (Italian, 1589-1669) or possibly the style of Gregorio Pagani (Italian, 1558-1605)

Seated Girl
Probably Domenico Fiasella (Italian, 1589-1669) or possibly Lazzaro Tavarone (Italian, 1556-1641) or possibly Lorenzo Lippi (Italian, 1606-1665)

Standing Youth Holding Hat, and Sketch of Legs
Probably Domenico Fiasella (Italian, 1589-1669) or possibly the style of Justus Suttermans (Flemish, 1597-1681)

David Beheading Goliath (recto); Sketch of Draped Female Figure with Right Arm Raised Above Head (verso)
Probably Domenico Fiasella (Italian, 1589-1669) or possibly Lodovico Carracci (Italian, 1555-1619)

Seated Woman in Profile to Right
Possibly Domenico Fiasella Italian, 1589-1669

Standing Magus (recto); Sketch of Stable and Trees (verso)
Peditrobably Domenico Fiasella (Italian, 1580-1669) or possibly Lodovico Carracci (Italian, 1555-1619) or possibly the circle of Matteo Rosselli (Italian, 1578-1650)

Madonna and Child Appearing to Male Saint and Angel
Attributed to the Style of Andrea Boscoli (Italian, 1550-1606) or Lodovico Carracci (Italian, 1555-1619) or Domenico Fiasella (Italian, 1589-1669)

Two Women Chasing a Man
Lodovico Carracci (Italian, 1555-1619) or Domenico Fiasella (Italian, 1589-1669)

Angels Appearing to Abraham
Possibly after Lodovico Carracci (Italian, 1555-1619) or possibly Style of Giuseppe Cesari (Italian, 1568-1640) or possibly Giovanni Battista Carlone (Italian, 1592-1677) or possibly Domenico Fiasella (Italian, 1589-1669)

Venus and Mars with Cupid and the Three Graces in a Landscape
Domenico Tintoretto (Italian, 1560–1635)

Domenico da Gambassi
Andrea del Sarto (Italian, 1486–1530)